Early this week we lost a comedy legend. As a young kid, I discovered Jerry Lewis movies on television and became a big fan. I enjoyed his work from the 1950's with Dean Martin, which made history, of course... one of the biggest comedy duos of all time. But I think it was Lewis' solo films, mainly his early ones, that made the biggest impression on my young and malleable mind. The Nutty Professor remains the most famous of his films, though I feel he's got some underappreciated gems elsewhere. Stuff like The Delicate Delinquent, The Bellboy, and The Patsy. Even The Ladies Man and The Errand Boy have their moments, despite the fact that some of these seem to have lost their laugh factor over time. But maybe that's just me growing up... and older, and not any issue with the movies themselves.
When I watch Jerry Lewis movies, I see the origins of the style of comedy that became Jim Carrey, Adam Sandler, Jim Varney (as Ernest) and maybe even, in a small way, PeeWee Herman. Oh, and most importantly... the nerdy and inept Professor Frink on TV's The Simpsons; voice actor Hank Azaria actually imitated Lewis' character from The Nutty Professor for the role. Jerry's combination of physical comedy, rubbery facial extremes, and histrionic vocalizations set the gold standard. His influence in the field of comedy is obvious, and will be felt forever. "Nice laaadeeee..."
Lewis' career spanned radio, stage, film, and television. An ambitious and talented man, he was far more than an actor; he was also a producer, director, screenwriter, and singer. When I was a kid, I found my mom's old copy of a "Jerry Lewis Sings" record and played that constantly... until I discovered The Monkees and Beatles... then Kiss, Rush, Sabbath, and so on. A logical progression, right?
As a humanitarian, Lewis was unsurpassed. He founded - and hosted - the MDA (Muscular Dystrophy Association) Telethon on TV from 1966 through 2010. Lewis raised billions of dollars during the lengthy run of this Labor Day staple. So not a bad guy, huh?
Farewell, old friend....
Saturday, August 26, 2017
Saturday, August 19, 2017
My Total Eclipse Rock Playlist
I stumbled upon a cool playlist idea while scanning Alan Cross's A Journal of Musical Things website today: a Total Eclipse Playlist (Rock Edition), to celebrate the total eclipse of the sun which will occur this coming Monday, August 21st, 2017. I thought I'd try my hand at my own playlist, based on stuff I know and love, not on other people's playlists. I figure since both the moon and sun figure into this rare phenomenon, my selections can include a few songs about Luna (our moon) as well. Here we go (and yes, I intentionally avoided that most obvious eclipse song of all... you know the one... sheesh!):
Between Sun & Moon, Rush
Black Star, by Yngwie Malmsteen
Blackout, by Scorpions
Beyond the Moon, by Max Webster
Sun Voices, Max Webster
Here Comes the Sun, Beatles
Black Hole Sun, Soundgarden
Ain't No Sunshine, Partridge Family
Walking on the Moon, The Police
Bark at the Moon, Ozzy Osbourne
Good Day Sunshine, Beatles
Walkin' On the Sun, Smashmouth
I'll Follow the Sun, Beatles
Don't Let the Sun Go Down On Me, Elton John
Holidays in the Sun, Sex Pistols
Sun King, Beatles (these guys sure liked ol' Sol, didn't they?)
Invisible Sun, The Police
New Moon on Monday, Duran Duran
Walking on Sunshine, Katrina and the Waves
Hole in the Sky, Black Sabbath
Waiting for the Sun, The Doors
Eclipse, Pink Floyd
Total Eclipse, Iron Maiden
And here is a selection of those songs to enjoy right here, right now:
Friday, August 18, 2017
Metal, Rock & Dance Excursions Playlist
I've been sort of scattered all over the place with my music listening lately. Mostly rock music, some heavy, some not so much. If you frown upon the lighter stuff, like pop or dance, then please forgive my affinity for that stuff. I've had a pretty open mind ever since I bought my first records back in the 70's. I had vinyl by Black Sabbath and BeeGees in my collection back then.... and on CD today.
There's a nice mix of the old and the new-ish on today's playlist: some Metal Church, Danzig and Megadeth from the 80's... and on to more recent The Oath, Alien Weaponry, and the latest Katy Perry. Plus a bunch of stuff in between. I've been revisiting old favourites like Max Webster, Ratt, and Def Leppard, but also discovering for the first time some great oldies like A Taste of Honey. Honestly, I don't know what my neighbours think is going on when they hear the likes of Voivod followed by Kylie Minogue vibrating from my stereo speakers. Hey, if I think it's good, then I'll play it. I can't say I hate any entire genre of music... there's even a handful of rap and country tunes that I really like. I like to think I can recognize a talented artist who performs in a style I'm not accustomed to. I can easily latch onto a band or artist if I hear something special in their songs, regardless of the sort of music they sing or play.
You've really got to dismiss conventions of rock as you fire up tracks like Danzig's Godless and Alien Weaponry's Rū Ana Te Whenua. Danzig took his devil worship shtick to a dark and inventive extreme here while Alien Weaponry put a new spin on metal with their native Maori lyrics and unique rhythms. And the downbeat approach on Shirley Manson's The Hunger is as darkly hypnotic as her work with Garbage.
Tracklist:
Metal Church - by Metal Church
All Must Die - by The Oath
Rū Ana Te Whenua - by Alien Weaponry
Godless - by Danzig
Devil's Island - Megadeth
Night Flights - Max Webster
As Heaven Is Wide - Garbage
Tribal Convictions - Voivod
Let It Go - Def Leppard
Lay It Down - Ratt
The Hunger - Shirley Manson
Bon Appetit - Katy Perry
Boogie Oogie Oogie - A Taste of Honey
There's a nice mix of the old and the new-ish on today's playlist: some Metal Church, Danzig and Megadeth from the 80's... and on to more recent The Oath, Alien Weaponry, and the latest Katy Perry. Plus a bunch of stuff in between. I've been revisiting old favourites like Max Webster, Ratt, and Def Leppard, but also discovering for the first time some great oldies like A Taste of Honey. Honestly, I don't know what my neighbours think is going on when they hear the likes of Voivod followed by Kylie Minogue vibrating from my stereo speakers. Hey, if I think it's good, then I'll play it. I can't say I hate any entire genre of music... there's even a handful of rap and country tunes that I really like. I like to think I can recognize a talented artist who performs in a style I'm not accustomed to. I can easily latch onto a band or artist if I hear something special in their songs, regardless of the sort of music they sing or play.
You've really got to dismiss conventions of rock as you fire up tracks like Danzig's Godless and Alien Weaponry's Rū Ana Te Whenua. Danzig took his devil worship shtick to a dark and inventive extreme here while Alien Weaponry put a new spin on metal with their native Maori lyrics and unique rhythms. And the downbeat approach on Shirley Manson's The Hunger is as darkly hypnotic as her work with Garbage.
Tracklist:
Metal Church - by Metal Church
All Must Die - by The Oath
Rū Ana Te Whenua - by Alien Weaponry
Godless - by Danzig
Devil's Island - Megadeth
Night Flights - Max Webster
As Heaven Is Wide - Garbage
Tribal Convictions - Voivod
Let It Go - Def Leppard
Lay It Down - Ratt
The Hunger - Shirley Manson
Bon Appetit - Katy Perry
Boogie Oogie Oogie - A Taste of Honey
Saturday, August 12, 2017
Movie Remakes Cage Match: Invasion of the Body Snatchers
One of my favourite science-fiction movies of all time is the original Invasion of the Body Snatchers from 1956. I first saw it on TV when I was a kid... I was totally immersed in that creepy and tense tale of little Santa Mira, California. The film relies very little on far-out visual effects, and it doesn't need to, because the story is so compelling and gripping, and the actors relay that frantic fear to us, the viewers, so well.
The fact that the movie was shot in black-and-white adds so much to the experience. I know there are younger people out there who turn up their noses at the mere thought of watching a B&W flick. But man, they are missing out on some of the greatest cinematic stories ever told. On occasion, a modern remake can match or surpass an oldie. But not very often. Anyway, my point is that eerie sci-fi and horror films are actually enhanced by the black-and-white treatment. The stark contrast between light and shadow creates an artistic background - or foreground - that complements the characters and the developing tale. And that monochromatic palette suits such visually and thematically dark movies as this one.
Invasion of the Body Snatchers was a shocker back in the 50's, packed with paranoia and dread of the unknown. The worst (or best, for fans of the fright films) part was that the few remaining "survivors" never felt at ease around friends and loved ones. Because there was always that lingering question: "Are they one of them?" The film's political commentary, neatly disguised in the sci-fi/horror allegory by director Don Siegel (who'd later go on to Dirty Harry fame), was not lost on the grown-up viewers at the time.
Actors Kevin McCarthy and Dana Wynter are the pursued, with the pod people hot on their heels at every turn. The movie sort of set the stage for the zombie invasion pictures that would become so popular in a decade or so, if you think about it. Only here, the invaders are from outer space. But the "turning" of the humans, their lifeless stares and monotone speech, their terrifying purpose... yup. Excellent acting from the whole cast and a riveting, tightly-wound script contribute to the success of this classic of the genre.
A couple of decades later, director Philip Kaufman brought his updated version of Invasion of the Body Snatchers to the silver screen. Just as chilling as the original, if not more, the remake naturally was presented in colour, as was the norm by 1978. But that expanded palette did not detract; in fact, that modernized look set the film more firmly in our present reality. At least with the '56 movie, the viewer felt a little detached due to that snapshot of another era, when cars and clothes looked different, and people conducted themselves differently from today. But the remake puts you (and me) firmly in that world, much closer to that bubbling horror in the backyard or basement. In the shadows.
The incomparable Donald Sutherland heads the powerhouse cast. This version of Invasion expands the little band of survivors to include seasoned actors Leonard Nimoy, Brooke Adams, Veronica Cartright, and Jeff Goldblum. All of them had some experience in the horror and science-fiction genres, so they were no strangers to the macabre. And to add to the fun, there were cameos by actor McCarthy and director Siegel from the 1956 film.
Again, a superior - if slightly re-imagined - script forms the basis for this chiller. The music and sound design play no small part in establishing the uncomfortable atmosphere. Ickier and weirder images add to the unnatural experience. Considered one of the greatest film remakes of all time, this version is a must for fans of the frightful and otherworldly. It's an extremely close second to the original, in my opinion, so don't miss it!
Fast-forward to 1993 for another re-telling of the famous Earth-invasion story. This adaptation is only very loosely based on the literary source, a 1955 novel from which this version directly lifts its title, Body Snatchers. Here, the story centres around the children of families living on a military base... and their encounters with the pod people. This one is more explicit, with even yuckier creature effects and a little nudity. It's a decent movie, but the lesser of the three films so far. I haven't watched Body Snatchers in a long time, so maybe a re-watch soon would yield more appreciation for it.
Over a decade later, Hollywood superstars Nicole Kidman and Daniel Craig team up for yet another remake, 2007's The Invasion. I thought it was fine when I watched it years ago, but it was forgettable. The story is so far from the original or any of the other adaptations that it is unrecognizable. The weak script is full of holes and loose ends. Not even the big stars (including the cameo appearance of Veronica Cartright from the '78 version) can save this dog. I don't even want to own this movie; it would only tarnish the integrity of my collection. No shelf space for such dreck.
Another decade has passed, and there are again whisperings in the industry of another re-telling of the alien invasion. Hmm, maybe they should just kill this idea before anything starts growing.... in the cellar. Fingers crossed.
Not many films in cinematic history have received so much attention by directors looking to mine the past in order to create re-imagined motion pictures for the modern public. Invasion of the Body Snatchers is still recognized as one of the best in Hollywood history, thanks to its first two celluloid outings. As for the second and third remakes, well, give the '93 Body Snatchers a look (it has its merits) and avoid the fourth.
Now watch out... they're coming! You're next! They're already here!
Kevin McCarthy in an iconic horror film moment
The fact that the movie was shot in black-and-white adds so much to the experience. I know there are younger people out there who turn up their noses at the mere thought of watching a B&W flick. But man, they are missing out on some of the greatest cinematic stories ever told. On occasion, a modern remake can match or surpass an oldie. But not very often. Anyway, my point is that eerie sci-fi and horror films are actually enhanced by the black-and-white treatment. The stark contrast between light and shadow creates an artistic background - or foreground - that complements the characters and the developing tale. And that monochromatic palette suits such visually and thematically dark movies as this one.
Invasion of the Body Snatchers was a shocker back in the 50's, packed with paranoia and dread of the unknown. The worst (or best, for fans of the fright films) part was that the few remaining "survivors" never felt at ease around friends and loved ones. Because there was always that lingering question: "Are they one of them?" The film's political commentary, neatly disguised in the sci-fi/horror allegory by director Don Siegel (who'd later go on to Dirty Harry fame), was not lost on the grown-up viewers at the time.
Actors Kevin McCarthy and Dana Wynter are the pursued, with the pod people hot on their heels at every turn. The movie sort of set the stage for the zombie invasion pictures that would become so popular in a decade or so, if you think about it. Only here, the invaders are from outer space. But the "turning" of the humans, their lifeless stares and monotone speech, their terrifying purpose... yup. Excellent acting from the whole cast and a riveting, tightly-wound script contribute to the success of this classic of the genre.
A couple of decades later, director Philip Kaufman brought his updated version of Invasion of the Body Snatchers to the silver screen. Just as chilling as the original, if not more, the remake naturally was presented in colour, as was the norm by 1978. But that expanded palette did not detract; in fact, that modernized look set the film more firmly in our present reality. At least with the '56 movie, the viewer felt a little detached due to that snapshot of another era, when cars and clothes looked different, and people conducted themselves differently from today. But the remake puts you (and me) firmly in that world, much closer to that bubbling horror in the backyard or basement. In the shadows.
Yes, Ronnie is irritating but she is part of the madness of the '78 remake
The incomparable Donald Sutherland heads the powerhouse cast. This version of Invasion expands the little band of survivors to include seasoned actors Leonard Nimoy, Brooke Adams, Veronica Cartright, and Jeff Goldblum. All of them had some experience in the horror and science-fiction genres, so they were no strangers to the macabre. And to add to the fun, there were cameos by actor McCarthy and director Siegel from the 1956 film.
Again, a superior - if slightly re-imagined - script forms the basis for this chiller. The music and sound design play no small part in establishing the uncomfortable atmosphere. Ickier and weirder images add to the unnatural experience. Considered one of the greatest film remakes of all time, this version is a must for fans of the frightful and otherworldly. It's an extremely close second to the original, in my opinion, so don't miss it!
Fast-forward to 1993 for another re-telling of the famous Earth-invasion story. This adaptation is only very loosely based on the literary source, a 1955 novel from which this version directly lifts its title, Body Snatchers. Here, the story centres around the children of families living on a military base... and their encounters with the pod people. This one is more explicit, with even yuckier creature effects and a little nudity. It's a decent movie, but the lesser of the three films so far. I haven't watched Body Snatchers in a long time, so maybe a re-watch soon would yield more appreciation for it.
Over a decade later, Hollywood superstars Nicole Kidman and Daniel Craig team up for yet another remake, 2007's The Invasion. I thought it was fine when I watched it years ago, but it was forgettable. The story is so far from the original or any of the other adaptations that it is unrecognizable. The weak script is full of holes and loose ends. Not even the big stars (including the cameo appearance of Veronica Cartright from the '78 version) can save this dog. I don't even want to own this movie; it would only tarnish the integrity of my collection. No shelf space for such dreck.
Another decade has passed, and there are again whisperings in the industry of another re-telling of the alien invasion. Hmm, maybe they should just kill this idea before anything starts growing.... in the cellar. Fingers crossed.
Not many films in cinematic history have received so much attention by directors looking to mine the past in order to create re-imagined motion pictures for the modern public. Invasion of the Body Snatchers is still recognized as one of the best in Hollywood history, thanks to its first two celluloid outings. As for the second and third remakes, well, give the '93 Body Snatchers a look (it has its merits) and avoid the fourth.
Now watch out... they're coming! You're next! They're already here!
Saturday, August 5, 2017
Stand-up Guys... Comedians and Comic Actors
My love for good comedy has been with me since I was a kid in the 1970's. I started out catching Abbot and Costello movies on TV, adoring the childish innocence and silliness of Lou Costello. Around the same time, I discovered the even older Laurel and Hardy silent films... and some of their talkies. Then I latched onto Jerry Lewis, both with partner Dean Martin in his 50's films and then his solo work in the 60's and onward. Some of my faves were The Bellboy, The Ladies Man, The Errand Boy, and The Patsy. Lewis is perhaps my favourite comic actor of all time. Here's a young Jerry in his movie The Bellboy:
There were The Three Stooges, who I still enjoy in a juvenile way these days. I don't see the same cleverness of The Marx Brothers in them, but their nutty enthusiasm and over-the-top physical comedy does the trick.
A bit older, I found Woody Allen movies on late night TV... the more adult-themed ones... but it was clear to me that this was a funny, nebbish little fellow, someone to watch. I also heard the albums of Bill Cosby... decades before the recent discovery of his scandalous past. His misdemeanors aside, I loved his early stand-up comedy as recorded for my listening pleasure. Way back, I bought a couple of Cos's "best of" albums, easily the funniest stuff I've ever heard. His impeccable knack for storytelling kept me in stitches as I listened. I also latched onto comics Robert Klein and Rodney Dangerfield at that time. I found these laugh-meisters through late evening radio shows when I was in my teens.
As a kid, and into my teens a bit, I enjoyed the Carol Burnett Show. The theatrical style of delivery - live before an audience - brought an immediacy to the sketches. While Burnett was the brains behind the operation, I loved how Harvey Korman and Tim Conway cooked up their shenanigans.
Around that same time, I learned to appreciate the dead-pan delivery of Bob Newhart on his various TV shows, and even a bit of his recorded stand-up routines. He's still among my favourites. There was also the loud and offensive Don Rickles, who still cuts me up... very old school and inappropriate, but hey, it works for me. The Monty Python troupe from England caught me off guard at first, but it didn't take long for me to develop a taste for their brand of absurd humour. While I enjoyed the antics of the whole group, it was John Cleese who really grabbed my attention. His stiff-upper-lip Brit "act" combined with ridiculous characters and situations translated into some of the best scenarios on the tube. Cleese took his shtick right over the top on his frantic sit-com Faulty Towers (or Farty Towels... whichever suits you), one of the best TV comedies of all time, in my estimation. And as we all know, the Python troupe extended their far-out universe into feature films, my dearest one being Monty Python and the Holy Grail. "That rabbit's dynamite!"
The David Steinberg Show was a Canadian 1970's precursor to TV's The Gary Sanders Show, operating in much the same manner, and featured guests like Candy, Flaherty, Short, and Thomas, who'd go on to fame with SCTV. The multi-talented Steinberg himself went on to direct episodes of TV classics Friends, Seinfeld, Golden Girls, and Curb Your Enthusiasm. I seem to recall a demented psychologist character who would, during a patient session, suddenly freak out at some imaginary attacker, shrieking "Booga, booga... get off!"
That same era brought comic John Byner's show Bizarre to the tube. I watched that religiously back in the day. Bizarre was unique for its mish-mash of comedy formats: stand-up, sketch comedy, impersonations, monologues, and TV parodies. Pretty ground-breaking for its time, I guess. And it was here that I first saw the hapless stuntman escapades of Super Dave Osborne. Ah, what a golden age of yuks....
Television remained my main source of comedy as I entered my 20's and 30's. Great shows like Frasier, Seinfeld, Kids in the Hall, Mr. Bean, Everybody Loves Raymond,and Home Improvement showcased the talents of their giggle-worthy stars. I still rank Kelsey Grammer, Ray Romano, and Tim Allen among my preferred TV funnymen. Steve Martin was a hit on Saturday Night Live back in the day, as were plenty of the sketch comedy show's other actors. Martin was hit and miss in the movies, though he sure had his moments early in his career.
Oh, and I mustn't forget the stage to TV transition by the now world-famous Second City troupe - SCTV. That group of comics later went on to write, direct and act in loads of memorable films. John Candy sure made his mark in box-office hits like Splash, Uncle Buck, and Trains, Planes and Automobiles. Not to mention the considerable talents of Andrea Martin, Catherine O'Hara, Dave Thomas, Joe Flaherty, Eugene Levy, Rick Moranis, Harold Ramis, and Martin Short. Yeah, you know a lot of those names. This gang birthed a whole wack of strange and memorable SCTV characters... Bob and Doug McKenzie, of course; Count Floyd, Johnny LaRue; Dr. Tongue; Edith Prickly; Floyd Robertson; Earl Camembert; Guy Caballero; the Shmenge brothers; Bobby Bittman; Perini Scleroso; Lola Heatherton; Moe Green.
Here's Andrea Martin doing her magic on SCTV:
I remember finding, back in the late 80's, a delightfully funny television show called Four On The Floor, a vehicle for the Canadian comedy quartet The Frantics. Though I loved catching all dozen or so episodes of its first season (in reruns, too), the powers that be cancelled the poor show. The Frantics troupe spawned the popular catch-phrase "Boot to the head!", which I, to this day, occasionally pull out to mock somebody's bone-head move.
A bit older, I caught Dangerfield, Eddie Murphy, Cheech and Chong, and Bill Murray on the silver screen. Though Murphy's funnyman status has trailed off, I still like those other comic actors, especially Murray's deadpan delivery, and the Dynamic Drug Duo's crazed adventures. Jim Carrey has had an up-and-down career, yet I still get a kick out of his early films, especially The Cable Guy and the Ace Ventura flicks. Well, alrighty then! All such different styles, yet I can appreciate a range of silliness.
A little late to the genius of George Carlin, I did finally in the 90's catch some of his comedy specials on TV. It's easy to see how he paved the way for the stand-ups of today with his blue jokes and absurd, sometimes bitter, observational humour. I also got a good primer on comics of that era via the many stand-up gigs on the box at the time... that's where I first saw guys like Steven Wright, the ultimate monotone mumbler... who I still like a lot. Yes, those brick wall and a microphone sets were a mainstay during that decade.
I took far too long to discover The Marx Brothers, but hey, their movies never showed up on TV in my town back when I was a kid. And it wasn't until the late 90's or 2000's when I got hooked on the Turner Classic Movies channel and began catching up on the hilarious antics of Groucho, Harpo, and Chico (I never cared for the occasional fourth "brother"). As clever as Groucho could be, I always found his maddeningly funny cohorts even better... check the video above.
Also late discoveries were the works of Buster Keaton, Charlie Chaplin, and Harold Lloyd. Their astounding stunts and theatrical finesse were the launchpad for great gags as well as sweet stories. I haven't seen much by these three pioneers of both film and comedy, but I intend to explore their filmographies further.
Larry David was first noticed for his co-writing on TV sensation Seinfeld (Jerry's cool, too), but I love his more recent Curb Your Enthusiasm show even more. That cringe-style of awkward comedy suits me perfectly. Larry's whiny old man character is both endearing and unpleasant.
Gary Shandling's style appealed to me, too... the sort of likable yet prickish fellow who got laffs at others' expense. I've caught his stand-up act and his Gary Sanders Show on the tube.... all worth their weight in gold.
For several years during the 2000's, I hit the local comedy club on a semi-regular basis to see the B-listers on the circuit. Just about every one of them was excellent, though I'm sure most won't get more than bit parts on TV or appearances at Just For Laffs festivals. Loads of talent out there, but the competition must be fierce.
In recent years, I've discovered the wacky Craig Ferguson through his late night show and stand-up specials. And I couldn't believe the underappreciated Mitch Hedberg, who sadly passed away at far too young an age. His low-key, off-the-wall one-liners seemed to throw audiences for a loop, but I caught his meaning every time. An acquired taste, I suppose.
Dave Chappelle, on the other hand, brought a bunch outrageous characterizations to the table on his TV show. I nearly passed out from laughter at some of his material. Like Tyrone Biggums the junkie doing a school presentation for Drug Awareness. "And lobsters!" (see above video)
If you like to laugh, I suggest you look up some of these comics on Youtube, Netflix, or wherever you enjoy your online hilarity. There's a whole world of comedy out there, and it's just a matter of exploring it to find the comedians who appeal to you most.
A bit older, I found Woody Allen movies on late night TV... the more adult-themed ones... but it was clear to me that this was a funny, nebbish little fellow, someone to watch. I also heard the albums of Bill Cosby... decades before the recent discovery of his scandalous past. His misdemeanors aside, I loved his early stand-up comedy as recorded for my listening pleasure. Way back, I bought a couple of Cos's "best of" albums, easily the funniest stuff I've ever heard. His impeccable knack for storytelling kept me in stitches as I listened. I also latched onto comics Robert Klein and Rodney Dangerfield at that time. I found these laugh-meisters through late evening radio shows when I was in my teens.
As a kid, and into my teens a bit, I enjoyed the Carol Burnett Show. The theatrical style of delivery - live before an audience - brought an immediacy to the sketches. While Burnett was the brains behind the operation, I loved how Harvey Korman and Tim Conway cooked up their shenanigans.
Around that same time, I learned to appreciate the dead-pan delivery of Bob Newhart on his various TV shows, and even a bit of his recorded stand-up routines. He's still among my favourites. There was also the loud and offensive Don Rickles, who still cuts me up... very old school and inappropriate, but hey, it works for me. The Monty Python troupe from England caught me off guard at first, but it didn't take long for me to develop a taste for their brand of absurd humour. While I enjoyed the antics of the whole group, it was John Cleese who really grabbed my attention. His stiff-upper-lip Brit "act" combined with ridiculous characters and situations translated into some of the best scenarios on the tube. Cleese took his shtick right over the top on his frantic sit-com Faulty Towers (or Farty Towels... whichever suits you), one of the best TV comedies of all time, in my estimation. And as we all know, the Python troupe extended their far-out universe into feature films, my dearest one being Monty Python and the Holy Grail. "That rabbit's dynamite!"
The David Steinberg Show was a Canadian 1970's precursor to TV's The Gary Sanders Show, operating in much the same manner, and featured guests like Candy, Flaherty, Short, and Thomas, who'd go on to fame with SCTV. The multi-talented Steinberg himself went on to direct episodes of TV classics Friends, Seinfeld, Golden Girls, and Curb Your Enthusiasm. I seem to recall a demented psychologist character who would, during a patient session, suddenly freak out at some imaginary attacker, shrieking "Booga, booga... get off!"
That same era brought comic John Byner's show Bizarre to the tube. I watched that religiously back in the day. Bizarre was unique for its mish-mash of comedy formats: stand-up, sketch comedy, impersonations, monologues, and TV parodies. Pretty ground-breaking for its time, I guess. And it was here that I first saw the hapless stuntman escapades of Super Dave Osborne. Ah, what a golden age of yuks....
Television remained my main source of comedy as I entered my 20's and 30's. Great shows like Frasier, Seinfeld, Kids in the Hall, Mr. Bean, Everybody Loves Raymond,and Home Improvement showcased the talents of their giggle-worthy stars. I still rank Kelsey Grammer, Ray Romano, and Tim Allen among my preferred TV funnymen. Steve Martin was a hit on Saturday Night Live back in the day, as were plenty of the sketch comedy show's other actors. Martin was hit and miss in the movies, though he sure had his moments early in his career.
Oh, and I mustn't forget the stage to TV transition by the now world-famous Second City troupe - SCTV. That group of comics later went on to write, direct and act in loads of memorable films. John Candy sure made his mark in box-office hits like Splash, Uncle Buck, and Trains, Planes and Automobiles. Not to mention the considerable talents of Andrea Martin, Catherine O'Hara, Dave Thomas, Joe Flaherty, Eugene Levy, Rick Moranis, Harold Ramis, and Martin Short. Yeah, you know a lot of those names. This gang birthed a whole wack of strange and memorable SCTV characters... Bob and Doug McKenzie, of course; Count Floyd, Johnny LaRue; Dr. Tongue; Edith Prickly; Floyd Robertson; Earl Camembert; Guy Caballero; the Shmenge brothers; Bobby Bittman; Perini Scleroso; Lola Heatherton; Moe Green.
Here's Andrea Martin doing her magic on SCTV:
I remember finding, back in the late 80's, a delightfully funny television show called Four On The Floor, a vehicle for the Canadian comedy quartet The Frantics. Though I loved catching all dozen or so episodes of its first season (in reruns, too), the powers that be cancelled the poor show. The Frantics troupe spawned the popular catch-phrase "Boot to the head!", which I, to this day, occasionally pull out to mock somebody's bone-head move.
A bit older, I caught Dangerfield, Eddie Murphy, Cheech and Chong, and Bill Murray on the silver screen. Though Murphy's funnyman status has trailed off, I still like those other comic actors, especially Murray's deadpan delivery, and the Dynamic Drug Duo's crazed adventures. Jim Carrey has had an up-and-down career, yet I still get a kick out of his early films, especially The Cable Guy and the Ace Ventura flicks. Well, alrighty then! All such different styles, yet I can appreciate a range of silliness.
A little late to the genius of George Carlin, I did finally in the 90's catch some of his comedy specials on TV. It's easy to see how he paved the way for the stand-ups of today with his blue jokes and absurd, sometimes bitter, observational humour. I also got a good primer on comics of that era via the many stand-up gigs on the box at the time... that's where I first saw guys like Steven Wright, the ultimate monotone mumbler... who I still like a lot. Yes, those brick wall and a microphone sets were a mainstay during that decade.
I took far too long to discover The Marx Brothers, but hey, their movies never showed up on TV in my town back when I was a kid. And it wasn't until the late 90's or 2000's when I got hooked on the Turner Classic Movies channel and began catching up on the hilarious antics of Groucho, Harpo, and Chico (I never cared for the occasional fourth "brother"). As clever as Groucho could be, I always found his maddeningly funny cohorts even better... check the video above.
Also late discoveries were the works of Buster Keaton, Charlie Chaplin, and Harold Lloyd. Their astounding stunts and theatrical finesse were the launchpad for great gags as well as sweet stories. I haven't seen much by these three pioneers of both film and comedy, but I intend to explore their filmographies further.
Larry David was first noticed for his co-writing on TV sensation Seinfeld (Jerry's cool, too), but I love his more recent Curb Your Enthusiasm show even more. That cringe-style of awkward comedy suits me perfectly. Larry's whiny old man character is both endearing and unpleasant.
Gary Shandling's style appealed to me, too... the sort of likable yet prickish fellow who got laffs at others' expense. I've caught his stand-up act and his Gary Sanders Show on the tube.... all worth their weight in gold.
For several years during the 2000's, I hit the local comedy club on a semi-regular basis to see the B-listers on the circuit. Just about every one of them was excellent, though I'm sure most won't get more than bit parts on TV or appearances at Just For Laffs festivals. Loads of talent out there, but the competition must be fierce.
In recent years, I've discovered the wacky Craig Ferguson through his late night show and stand-up specials. And I couldn't believe the underappreciated Mitch Hedberg, who sadly passed away at far too young an age. His low-key, off-the-wall one-liners seemed to throw audiences for a loop, but I caught his meaning every time. An acquired taste, I suppose.
Dave Chappelle, on the other hand, brought a bunch outrageous characterizations to the table on his TV show. I nearly passed out from laughter at some of his material. Like Tyrone Biggums the junkie doing a school presentation for Drug Awareness. "And lobsters!" (see above video)
If you like to laugh, I suggest you look up some of these comics on Youtube, Netflix, or wherever you enjoy your online hilarity. There's a whole world of comedy out there, and it's just a matter of exploring it to find the comedians who appeal to you most.
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