Saturday, October 31, 2020

A Moment of Silence, Please.... The Passing of a Movie Legend: Sir Sean Connery

Man, what else can 2020 throw at us? I've just barely gotten my mind back in order after the untimely death of Eddie Van Halen... then this morning, I learned the news that Sir Sean Connery has passed away. I kind of - almost - felt like I'd lost a family member. I mean, the first James Bond movies I ever saw starred Connery. I might have been in my tween years or thereabouts, and I think it was the American ABC TV network that often ran James Bond movies on Sunday nights. I caught more than a few that way in my younger days.


So Connery was the man. He was Bond. Even after seeing all the other Bond actors over the years, I still feel it all comes back to Sir Sean. Not just because he was the first, establishing the template against which the others would be compared. While each subsequent Bond actor brought something different to the role, I think Connery exemplified the classic Cold War spy in his tough yet charming way. Not the moody, realistic type of spy, like Richard Burton in The Spy Who Came in From the Cold. James Bond was escapist fare, sometimes veering into dark realism, but essentially a superhero type of character who endured a lot of battering at the hands of supervillains and came out the other end intact, ready to take on another death-defying mission.

Sean Connery was Bond in the films that kicked off the long-running adventure series, thereby becoming the man who first showed us the dangerous and often exotic life of a fictional cinematic spy. The gadgets, the snazzy cars, the beautiful women, vodka martinis, and a whole lotta busting bad guys' chops.

I've seen Connery in a bunch of non-Bond movies over the years and was always pleased with his performances on some level. He definitely had more talent than the 007 films required of him. Two pre-Bond movies I saw him  in were Darby O'Gill and the Little People, and The Frightened City. Sean had yet to hit his stride, so these didn't make much of an impression. He starred in Marnie, The Hill, The Man Who Would be King, and The Anderson Tapes during his run in the Bond flicks, all cool in their own ways. Post-Bond appearances brought a lot more to the table. Zardoz was a weird fantasy mess that left me cold, but his role in Robin and Marian was impeccable... a dramatic turn well worth watching. 

In the 80's, I enjoyed his starring gig in the sci-fi adventure Outland, plus his brief yet cool bit in Time Bandits. He was also in Highlander, The Name of the Rose, and won an Oscar for his work in The Untouchables. The Hunt for Red October and The Russia House brought Connery back into the world of spy thrillers; both were highly successful, extending the man's cred into yet another decade. Those are just the highlights of the many of his movies I've seen.

Connery's face is seen daily around my home. He's pictured in the Bond movie posters, framed Bond movie soundtrack records, and the movie stills on my walls. Look a little closer and you'll also see all the books and CDs and DVDs and more on my shelves. In fact, the only franchise I still like to collect from is that of Bond. I'll always have reminders of the great Scottish actor who was immortalized in the famous 007 role.

A long way from his humble beginnings, when as a teen he worked physical labour jobs to help support his family during WWII. After a stint in the British navy, Connery began lifting weights and placed third in the Mr. Universe contest. Not a bad way to work his way into acting and eventually the finely tailored shoes of MI6 operative James Bond.

Farewell, Sir Sean. You shall be missed.

Celebrate Halloween Safely with Horror Movies and Junk Food

This is it, folks... Halloween! The day we've been working toward all this month, or all this year, for some of us. This won't be a Halloween like any other, at least where I live. The pandemic conditions make it rather sketchy for door-to-door trick-or-treating, so local city government has said "no" to that sort of social outing. Same with parties, unless it's just family or the immediate "social bubble" indoors or in the backyard. Whatever. I'm in an apartment and don't have to worry about kids (mine is all grown up). So I just watch horror movies and eat junk food. Like always.

On a healthy note, check out these boxes of oranges at my nearby produce store... they're bloody good!




Here are the movies I've watched this month - Part 2 (pop back a couple of posts for Part 1) - in anticipation of All Hallows' Eve:

The Babysitter: Killer Queen - quite violent and amusing, exceeded my expectations

Prevenge - meh, give it a miss

Scream Blacula Scream - a 70's exploitation classic, quite cool

Savaged - a better than decent revenge tale... gory and "fun"

Storm Warning - not worth the trouble, blech

Cirque du Freak: The Vampire's Assistant - a nice surprise... pretty fun and funny

Necromancy - booooring, slept through part of it

The Reptile - Hammer studios strike again with a neat little monster tale with a twist

The Plague of the Zombies - another Hammer flick, one of the few zombie movies I like

The Devil Rides Out - Chris Lee battles a satanic cult... does it get any better than that?

Bad Moon - a nifty little hidden gem of a werewolf tale

Christine - the 80's supernatural car classic based on the Stephen King story... cool

Silver Bullet - an even cooler 80's King adaptation. Hey, more werewolves! Love it...

Under the Skin - a modern favourite of mine.... creepy, atmospheric horror/sci-fi with Scarlett J as an alien predator roaming the streets of Glasgow, Scotland

AND TONIGHT?

I'll probably end up watching The Creature Walks Among Us, the second sequel to The Creature From the Black Lagoon. This quirky twist on the monster tale has become a fave of mine. Chips and peanut butter cups and beer await!

Happy Halloween!


Sunday, October 25, 2020

New and Vintage Vinyl and CDs

I haven't bought much music in batches lately. It's mainly just been one thing at a time, and at intervals. So there hasn't been much call for an update on that front for a while. But now that I've added a handful of new/old albums to my collection, this would be a good time to catch you up on my latest musical acquisitions.

Lionel and the gang pictured on the back cover of Commodores (1977)

A couple of months back, I dared to add the new Katy Perry album, Smile, to my CD shelf. I debated about getting this on vinyl, but considering the fact that I prefer to listen to this sort of music in the background, and straight through without any flipping from side A to side B, I decided on the CD format. Plus I wasn't crazy about paying over 30 bucks for the vinyl. But it's a cool and fun album, one of her best recordings, I'd say. If you like that sort of thing.

I also snagged two Zebra albums, their debut and their sophomore effort No Tellin' Lies. The former is on CD, mainly because it was easier on the wallet, and the latter on vinyl, because it was a very reasonable price. Both are great proggy hard rock, the debut the stronger album, but the second is pretty darned good too. Very happy with those.

Then more recently, after the passing of guitar legend Eddie Van Halen, I revisited my Halen albums - which are the David Lee Roth-era ones only. Then I got to wondering if there was ANY Sammy Hagar-era Halen that I liked at all. Decades ago, I had the first two Sammy-Halen albums, but grew bored of them in a short time. Gone. But I had limited exposure to the later Van Hagar, so I popped on Youtube and test drove those. The only one that I can say I really like is For Unlawful Carnal Knowledge. In fact, I really like it. It's much heavier rock with extremely little piano on it - a bit of a return to their roots. Here, Eddie is once again pushing that guitar like he really means it. Some very cool metallic riffs and chord progressions. Yet my one criticism is that the album lacks true hooks, melodies that stick your head. You know, the way early Van Halen did. But it's still a solid recording, enjoyable enough that I bought it... finally.

One day while some random Kylie Minogue tunes played on Youtube, I noted one in particular that I knew but didn't think I had in my studio album-complete collection. So I did a little research and discovered it only appeared as a bonus track on Ultimate Kylie, a 2004 compilation of studio songs plus non-album tracks and remixes. Got it! Very happy I found that, and at a nice low price.

Just this past week, after revisiting the Commodores' self-titled 1977 album on Youtube (I first found and enjoyed it months ago), I made the leap and bought it on vinyl at Amazon. This is a 2017 reissue that sounds terrific. First rate funk-soul. My first album of that genre in my record collection. I do have a handful of Motown/funk/soul/R&B CDs, but they're another story. Anyway, this album is first-rate top to bottom, from the totally popping opening track Squeeze the Fruit to the genre gem Brick House to the final song - the smooth and seductive 70's radio hit Easy (you all know it).

So, from a dry spell to a gradual accumulation of cool new sounds. This'll keep me busy for a while. Keep on spinning, music fans.

Saturday, October 17, 2020

Halloween Equals Horror Movies Galore!

Howdy, horror hounds... and you curious non-hounds!

Even though I kind of did a premature horror movie marathon in September, I got a second wind and have been pushing through a fair number of unsavory seasonal films lately. Most have been good, or fairly good, few really good, and only the very odd let-down. So a pretty reasonable rate of return on my hours spent in front of the tube. I caught most of these on Netflix, Shudder, Youtube, and Roku channels.

"Now that's my kind of witch", thinks little Billy Barty, in The Undead.

So if you're looking for scary movie ideas for this month, take notes, kids!

I began October with the classic The Masque of the Red Death, the 1960's Vincent Price gem that drips with period piece horror. Then I popped over to some demented 80's Lovecraftian chills with The Beyond. Strap yourself in for that one... it's a mind-melter. On to a supremely silly stoner-horror-comedy called Stan Helsing. Maybe I should have skipped that one, but it had its tiny moments. It's a sendup of the old and not-so-old monster movies. You could do better, though. Like Young Frankenstein.

Candyman: Day of the Dead was the second sequel of that mini-franchise, and I expected far less than I got. It's a fairly satisfying urban horror with a rich backstory that unfolds further and further with each film. And a unique and cool "villain".

In a lighter vein, there's Vampires vs The Bronx, a fun family-friendly flick on Netflix. Modern urban youth take on the creatures invading their neighbourhood. A sort of 80's-Stephen King vibe there. The Undead, from 1957, is a Roger Corman film that was better than I expected... in a hypnotic trance, a woman is sent back to the time of her witch counterpart/ancestor's execution. Low budget but kinda cool.

Ghostland surprised me with its modern home invasion story with a Texas Chainsaw vibe. Then on a slow night, I thought I'd revisit an old favourite... not horror exactly, but with a supernatural theme... The Ninth Gate, a super good eerie mystery starring Johnny Depp as a chain-smoking book detective. I highly recommend it.

The Wretched is about teenagers working at the harbour of a coastal town during summer break. Things get a bit weird and scary-ish, and while it's not amazing stuff, it's a fun watch. You could do worse. The Assent, on the other hand (on Netflix), was a real let-down. It seemed to promise some Linda Blair exorcism headtwisting and hose vomit, but never delivered. The movie kicked off well enough but sort of lost steam and fizzled out for me. Not very satisfying.

I'll certainly do more genre movies before the month is over, not to mention the obligatory Halloween eve horror classic (or two). This is it for now. If you want to see my September film choices, pop over to my Letterboxd movie viewing diary

If you have any suggestions for more great flicks for October chills, leave them in the Comments section below. Thanks for reading, and be sure to turn out the lights for your next spooky movie night.

Sunday, October 11, 2020

Quick Analysis: Eddie Van Halen's Legacy

What a week. Late Tuesday afternoon, I got the news of Eddie Van Halen passing away that morning. That evening, I played my Halen records and saluted the dearly departed with a couple of beers. Been thinking about Eddie all week, listening to his music and to the tributes to him online.

I've never gone very long without spinning a VH record, but the listening has been more frequent and intense lately. There will always be a touch of sadness when I (and everyone else) listen to their albums from now on.

But try to cheer up and celebrate the fun and genius of Eddie. To help out, here's a great old live video of Dance the Night Away:

I find it really hard to pin down what my favourite Van Halen album is... for a long time it was 1984, which spawned all those radio-friendly hits. But then I flipped back in time to their first album, which introduced to the world in '78 these four young lads with such talent and attitude. In recent years, I've gravitated toward Fair Warning (1981) more than anything else, its raw, edgy sound a bit of a departure. But then this past week, prompted by the sad news, I re-discovered the brilliance of their debut record. It's just all SO great.

There was even a long spell when I listened to Van Halen II repeatedly. There were the lighter, catchy tunes like Beautiful Girls and Dance the Night Away, but there were also the searing rockers like Somebody Get Me a Doctor, Bottoms Up!, and Outta Love Again. And then there were the slighter heavier, moodier ones... You're No Good and D.O.A. That darker tone led nicely into the band's third release, Women and Children First, which was a blistering recording of the Halens at their heavy metal peak - absolute guitar mayhem and Roth shrieking on tracks such as Fools, Romeo Delight, and Loss of Control. Not to mention the classic party anthems Everybody Wants Some and Take Your Whiskey Home. And much more.

It's a tough call between Van Halen I and Fair Warning, their rawest and most innovative albums. Eddie, on both discs, pushed boundaries and brought new guitar sounds and techniques to the world. Let's call it a tie for now.

It's far easier for me to nail down my favourite Van Halen songs, even though there are so many excellent ones in their catalogue. Meanstreet (off the Fair Warning album) immediately comes to mind... my absolute fave, and has been for years. But not far behind are Jump, Everybody Wants Some, Beautiful Girls, You Really Got Me, Ain't Talkin' 'bout Love, and Unchained - all so good it would be a task to rank them. And so many more.

You can see my comments in a bit more detail about a couple of those in My Favourite Songs series of posts:

Meanstreet

Beautiful Girls

There's also my very first blog post about Van Halen here, if you haven't seen it yet.

Carry on...

Saturday, October 10, 2020

Friday, October 9, 2020

We Lost a True Rock Icon: Eddie Van Halen

 Of all the great musicians that have passed away in recent years, or even in my whole life, the loss of Eddie Van Halen this past Tuesday (October 6th) has had the greatest impact on me. Eddie has long been considered by the world as one of the best - if not the best guitarist of all time. In my mind, he was the very best. Yes, props to Clapton, Page, and Hendrix, but for me, Eddie took the best of all those players and developed his own unique style and sound, surpassing them all. Some might argue, but that's how I feel about Ed.

My record LPs and CDs of all the David Lee Roth-era Van Halen
albums. That includes the 2012 "reunion" studio album.

The Beatles prompted me to pick up the guitar at about age 12-13, I strangled that splintered acoustic for a few years, Rush influenced my musical tastes further and helped me learn the instrument far better, then it was Van Halen that inspired me to work hard and stick with it. I still remember reading an early 80's issue of Cream magazine dedicated exclusively to Van Halen, learning about Eddie's incredible work ethic, how he spent hours a day woodshedding. It was his inborn talent, his dedication to guitar, and the sheer amount of practice that brought him up to a level beyond all others.

My own guitar playing never went beyond average, but I had a lot of fun within my limits. Because I didn't seem to have a lot of natural talent or any formal training at all (self-taught, with the help of a few books and some pointers by a skilled guitarist friend), it wasn't exactly in the stars that I'd go very far at all. But that never affected my enjoyment of the instrument. I played daily from the late 70's through much of the 80's, improving mostly as a rhythm guitarist. Though Van Halen's music was far beyond my capability on guitar, it did inspire me to practise a lot.

My little collection of Van Halen shirts, all cool enough that
they are all in constant rotation.

Into the 90's, I found musically like-minded friends who wanted to jam, and that's when I discovered that special "high" when you click with others as you play songs you all love. It was often just me and a drummer, but sometimes another guitarist or bassist would join the fray, and we would bash out our garage versions of our favourite tunes. I was always baffled by my inability to figure out Van Halen songs... it was only in more recent years that I learned that Eddie tuned his guitar down a half step. No wonder! I was completely ignorant of this alternate tuning stuff for all those years. The only Halen tune I could play some semblance of was Ain't Talkin' Bout Love, which I slaved over (without tablature for reference, either), and had some fun with.

So Eddie was important to me almost from the beginning of my guitar self-instruction. He was already an impressive newbie to the world of rock music, so much so that I was recording Van Halen songs off the radio onto tapes for re-listening. That might have been up to about 1980, when I finally bought my first Van Halen record, their third release, Women and Children First. In hindsight, I wish my first VH purchase had been their monumental debut album, but Women and Children wasn't a bad choice either. That disc was their heaviest recording ever, probably, laying down the band's most molten metal ever. What came before and after never came quite that close to true metal, though the first album certainly had its moments.

A vintage 80's Halen pin - classy and metallic, that I've hung onto all these years

Van Halen, even though in my mind is classified as hard rock, had a huge influence on the heavy metal genre. Between the wild showmanship, the loud aggressive sound, the screaming vocals, and the extreme guitar pyrotechnics, these were all key ingredients of what metal was all about. The big difference was that Van Halen had a strong pop sensibility, crafting the catchiest melodies this side of the Atlantic (and the other side, too, I'd say).

Even though Eddie was a virtuoso guitarist, he was also a gifted songwriter. He had a flair for melodic, hummable songs and even guitar solos. No wonder this once-dubbed "dangerous" band eventually became American darlings of the Top 40 with hit after hit song.

I really wish Eddie had written his own memoirs, but I made do with 
the still-entertaining and revealing autobio by David Lee Roth. The 
highly-regarded Greg Renoff band bio of their early days is essential
for Halen fans.

I must admit I am soley a fan of the first six Halen albums, the David Lee Roth era. No Van-Hagar for me. So as far as my six album knowledge extended, Eddie performed feats of speed, dexterity, ingenuity, sound and melody on record after record. I know a bit of his later work with the Hagar line-up, but not enough to really comment.

Try to imagine a world without Eddie Van Halen. What would have happened in the music scene during the 1980's? I can't even picture what would have played out without Eddie's influence. Hard rock, glam metal (aka hair metal/pop metal), heavy metal in general... would these genres have progressed or even existed without Ed's pioneering techniques? Ratt and Motley Crue and the whole L.A. Sunset Strip scene would likely never have happened. The legendary and infamous Guns'n'Roses, though stylistically different, rose from that same scene... would they have come about if not for the VH influence? Guitar wizards like Joe Satriani and Yngwie Malmsteen cite Eddie as an influence in their formative years. Any guitarist, pro, amateur or hobbyist, would have something positive to say about Eddie's talent and impact on music.

My "uniform"

From Eddie's famous "brown sound" - raw and pure, which was the result of tearing up and rebuilding his Strat guitars, to his mastery of two-handed finger-tapping on the fretboard, he carved out a place of his own in the world of guitar. Entirely unique. As mentioned, the Halen style was responsible for a glut of glam metal and hard rock imitators in the 80's, many uninspired and short-lived, while a few found a foothold and became (modest) stars in their own right.

While other favourite bands over the years have lost some of their appeal, Van Halen has been a constant for me. There's no denying the fire and staying power of their music, and that is largely due to the massive appeal of Eddie's instrumental prowess and his innate songwriting talent. From early metallic hits to the last two Roth-era albums of "hard pop" radio sensations, Ed and his bandmates grew and expanded their repertoire to include music for the masses. So there was something for both headbangers and pop fans. Dancing in the streets... 

RIP Eddie, you will be missed.



Sunday, October 4, 2020

One Record, One Movie, One Book

 The other day I saw a Youtube video where an interviewer asked his guest to name one record, one movie, and one book that he'd recommend to others. Titles that were meaningful enough to the guest that he'd share them with others. That got me thinking of my own choices... which was not at all easy.

But just now I thought I could narrow that down to a genre, specifically the horror genre, since this is October - the month of Halloween, after all. And that makes selection a bit easier.

Creepy, chilling, and disturbing entertainment is pretty common in my home. I have shelves full of horror movies and books, and scary movie soundtracks, and dark, moody, sometimes frightful albums by music artists.

My choices here may not necessarily be my absolute favourites in each medium, but will be more significant and representative of the genre in a slightly more objective way, and maybe more accessible for newcomers. Some are titles that I feel aren't known, or appreciated, widely enough. I believe these records, movies, and books (I include a few honorable mentions for the extra inquisitive) are important enough that I'd like more people to experience them.


First off, one record:

Black Sabbath - their debut album, the original supernatural, doomy heavy metal record. Most people, fans that is, say their preference is Paranoid or Master of Reality, which boast Sabbath's best-known songs. But I feel the first album is under-appreciated. It established an atmosphere that never appeared again in Sab's music. A hazy murk enfolds the listener in a nightmare-like grip as the blues-metal fusion lays out a bleak landscape, unsettling vocals and lyrics adding to the sinister gloom... and the two "suites" paint pictures of even deeper disquiet. Essential to the "horror" music listener.


Honorable Mentions:

Bram Stoker's Dracula, movie soundtrack

Carpathian Forest - Black Shining Leather

Danzig - How the Gods Kill

Ghost - Opus Eponymous

--

One Movie:

The Uninvited (1944) - an early classic, classy and haunting... mystery and romance add spice to this ghost story with depth and detail. Due to its age, the film may put off younger (and maybe some older) viewers today with its old-fashioned depictions of that time, not to mention the old-school acting style and outdated social norms. Yet that is part of the charm of the picture, along with its subtle method of story-telling. As a ghost story, this is top-notch, among the best in cinematic history, starring some of the finest actors of Hollywood's Golden Age. 


Honorable Mentions:

Invasion of the Body Snatchers (1956)

The Phantom of the Opera (1925)

The Shining (1980)

--

One Book:

The Historian, by Elizabeth Kostova. I've read this twice, and each time I am  thrown into a dream-like state as I turn the pages of this hunt across Europe for the "real" Dracula. History and geography play a big role in this creepy adventure thriller. Detailed and rather epic in its scope, considering the travel across the continent and in its deep investigative procedural process. The chilling parts would best be read in daylight, unless the reader welcomes a sleepless night.


Honorable Mentions:


Summer of Night, by Dan Simmons

Conjure Wife, by Fritz Leiber

The Club Dumas by Arturo Perez-Revert

The Demonologist, by Andrew Pyper