Last year, I had at least a few hiccups in my personal reading. I actually gave up on some books after getting a little ways into the story and realizing I just wasn't feeling it. That has very rarely happened to me over the years, but for whatever reason, 2019 was a banner year for bailing out. Often, there was a highly-anticipated book on deck, and that made the idea of setting aside my current read even more do-able.
Another thing that threw a monkey wrench into my normally smooth book-to-book flow was a lack of good things to read... and often a lack of interest in what I did have on hand. Then I might let a week or two go by without a book on the go (pretty much unheard of with me), while I either looked for my next read or awaited something in the mail.
As a result of these mis-starts, bails, and lapses, my total number of books read for the year was down considerably from 2018. I logged only 19 books read last year, as opposed to my commendable 31 the previous year.
I kicked off 2019 with Christmas gifts, two music biographies, which have become a bit of a tradition in recent years. I'm a music fan and yet I only seem to treat myself to bios of my favourite artists with Christmas gift cards. So I began the year with Heavy Duty, by guitarist K.K. Downing of heavy metal legends Judas Priest... and that was fun and informative, just what I expected. Next up was Thanks A Lot, Mr. Kibblewhite, by none other than The Who's main man at the microphone, Roger Daltrey... also an entertaining and enlightening read.
After that, things became a little more challenging. I had spent a fair bit of cash on books the previous year, and wanting to cut back on that expenditure in '19, I decided to revisit books that have been collecting dust on my shelves, plus there was the odd loaner, and of course, whenever I found a deal online, I went for it.
I re-read the first two books of The Three Body Problem trilogy by Chinese sci-fi author Cixin Liu. Those were every bit as good as the first time around (a few years back). I highly recommend this trilogy to any fans of modern - or not so modern - sci-fi; I rank these books among the best of all time. Smart and imaginative and written in an engaging style.
I also tackled some sci-fi classics, the quintessential 1984 by Mr. Orwell, and the novella Who Goes There? by John W. Campbell. The first one... well, we've ALL heard of it, even if we've never actually read it. 1984 is referenced in real-life and in pop culture all the time. Our modern world has come to resemble, in both big and small ways, what Orwell dreamed up in his dystopian future fiction. I didn't think I'd read 1984 before, but as I progressed through the book, bits and pieces seemed familiar to me... so maybe I had.
Who Goes There? may be a bit lesser known, though I'd heard of it for many years. It is the story upon which the vintage film gem The Thing From Another World was based, and years later was re-made as the freaky thriller The Thing (by director John Carpenter). While both cinematic treatments were great in their own separate ways, the original source has a flavour all its own. I guess you could say the movie re-make came a bit closer to what was first put to paper.
I should mention that after reading that story online, I hunted it down again in a neat hardbound collection of tales that were later adapted to the silver screen, They Came From Outer Space. I found a gently used copy online and enjoyed its sometimes quaint, sometimes eerie, versions of what would later become film classics of the genre.
Oh, and I mustn't forget to mention my acquisition of the original Dune trilogy in print. I had read these back in the 80's, and then promptly forgot about them. Not that I didn't like them... I just got really busy with life. Anyway, with these new editions, since I had read the first - and massive in size - novel not many years ago, I skipped that one and went straight to the sequels Dune Messiah and Children of Dune. All are impressive and epic in scope, world- and universe-building at its best, not to mention the unforgettable characters and author Frank Herbert's thought-provoking themes. A science-fiction masterpiece that deserves its place at the top of many Best All-Time Sci-Fi Books lists.
Then I went back to my bookshelf and dusted off my very old hardcovers of the Sherlock Holmes mysteries. The Adventures of Sherlock Holmes was a book I'd bought as a young teen (or tween?) and have cherished ever since. I have read those famous stories at least a few times in my life, and since decades have passed since my last go-round, I thought it was a good time to relive those Baker Street exploits. And they are still so captivating! So much so that I went straight to the next volume on the shelf, The Memoirs of Sherlock Holmes. Also a great bunch of stories, if not quite of the calibre of the Adventures collection.
I sprinkled a few more biographies into the mix as the year wore on: Tarzan - My Father, written by Johnny Weismuller Jr, son of the famed Olympic swimmer and Hollywood Tarzan actor; Grumpy Old Rock Star by Rick Wakeman of progressive rock band Yes; and Van Halen Rising, by Greg Renoff, a very fun account of the early years of the rock superstars. The Tarzan book was okay but lacked colour in its rather truncated and factual form. The Wakeman bio was terrific, both for its author's hilarious real-life stories and storytelling manner, and for the unexpected autograph inside the front cover! And it goes without saying that the Van Halen bio was excellent, totally living up its hype... it is considered the authoritative volume on the early history of the notorious and influential rock group.
Here and there, there was a some great fiction, like Warlight by Michael Ondaatje... an atmospheric and cryptic mystery of sorts set in the latter years of WWII. A very cool story that I'm certain I will re-read one day. I also made a point of checking out About A Boy by Nick Hornby. I had seen the funny and heartwarming film adaptation a couple of times, and based on my enjoyable reading of Hornby's other successful novel High Fidelity, I thought it only fitting that I give the book a whirl. Loved it. Hornby has a way with words and ideas, spinning them into something very real with fine character development and a witty and sometimes twisted sense of humour.
The Huntress by Kate Quinn was a pleasant surprise, a period piece mystery about Nazi war criminal hunters... but with a pair of story threads, each in its own time-line. Fascinating and thrilling, this book led me to another great Quinn book this year (2020) called the Alice Network. A writer to watch for.
Late in 2019, I wanted some quick reads to bump up my relatively abysmal book total, so I grabbed some stuff on sale at my neighbourhood Chapters/Indigo. Metamorphosis by Franz Kafka was bizarre and... well, it's hard to say what I thought of it. Interesting, okay... but maybe not quite my sort of thing. But I can now say I've read Kafka.
Years ago, I saw the movie version of The Old Man And The Sea and thoroughly enjoyed it. Well, I'd been planning to read some Hemingway one day, and so I snapped up the book for a quick zip through its at-sea fishing adventure. Pretty good, but I understand old Ernest has even better stories out there for me to try out. Eventually.
So... that was my year in books. Oh, I nearly forgot to mention I'd gotten a start on The Texas Rangers, by Walter Prescott Webb, a massive non-fiction tome on the history of the armed forces of the Old West and beyond. I figure I'll wade through this somewhat dry account bit by bit, either in between other books, or in tandem with them. Good stuff, just not quite as satisfying as... well, anything that doesn't read so much like a text book.
And here's hoping I can improve upon my book count in this year of 2020. Read on!
Saturday, February 29, 2020
Saturday, February 22, 2020
Today's Haul - "New" Used Additions to the Record Shelf
Today I made up for my lack of record shopping over the past few months. This wasn't even a planned outing, either, but at the last minute I thought a little morning visit to the local flea market would do me good... you know, sunshine, fresh air, moderate temperature (for February in Ottawa). The market is indoors, but at least the trip there and back got me outdoors for a bit. And I sort of kept within my small budget, walking away with some great albums, most high on my Wish List, and even one major grail.
All that's been on my mind for months has been Kiss' Destroyer album. Yeah, I've been listening to the CD over the years, but once I got into the vinyl thing, I thought this is an essential one for my collection. And it's been hard to find a decent (better than crap) copy of the album at a reasonable-ish price around here. Even as I walked through the doors of the venue, I had my little "Destroyer" mantra going through my head... just in case the gods heard me and made it finally happen.
Well... through the door I went, turned left toward the first record vendor in sight... and there was Destroyer, displayed front cover facing right toward me. "Come here, you!" it beckoned. Wasting no time, I made a bee-line for the record, grabbed it, fumbled for my reading glasses, then gave it the all-over examination. The outer jacket had seen better days, but it wasn't so bad. The record, on the other hand, bore a couple of light hairline scratches. At a lower price I might have taken a chance on it, but for the asking price of fifteen bucks, I wasn't willing. The sticker even stated it was only "Good condition, with wear". Do I really have to settle for sub-par sound in order to finally get this damned record?
I put it back. But not without a tasty consolation prize... Paradise Theater by Styx. I knew the few really big songs off this concept album, but had never heard the rest of it. So it was time. In Very Good Plus condition and only fifteen smackerels, the deal was done. Paradise was Styx's best-selling album thanks to major hits Too Much Time on My Hands and Best of Times. Oh, and Side Two of the record had the Styx logo and images somehow embedded into the black vinyl... obviously a more modern re-issue, but very, very cool!
Nothing else at that vendor really grabbed my attention, so I moved on to the bigger spread by another vendor. I spent most of an hour flipping through his many bins of albums. Several cool ones caught my eye... like a U.S. version of the first Max Webster album, with different cover art and a funny backstage band photo on the back; I was sorely tempted by a re-issue of Dave Brubeck's Time Out with the original cover art (I have a pressing on a different label with different cover art, and slightly crispy sound); and almost went for Sinatra's In the Wee Small Hours. Though I hung onto those last two until I made my final decision, I finally put them back, for the real question was "How often would I even listen to the albums?" That question is always countered with "But maybe I'd get back into the album if I had it on vinyl" (I already own both on CD, but rarely play them). Anyway, the other records in my little pile were much more important to me...
One of the LPs I picked without hesitation was El Loco, by ZZ Top. This was high on my Wish List, and the record looked nice and clean. In fact, it was priced at $15, but because the jacket was a bit tattered and taped up on one edge, the vendor dropped it to ten bucks when I pointed it out. No haggling required. Big radio hits on this one, including Party on the Patio, Pearl Necklace, and Tube Snake Boogie. Great fun.
When I saw Dark Side of the Moon (do I need to tell you the artist?) - that grail I mentioned - in the "ten dollar" bin, I didn't get my hopes up. The jacket was rather scuffed, mainly around the edges, but not beyond recognition. With expectations still low, I slid out the record for inspection. This thing looked super clean, with only the most minor blemish in one spot. I succeeded in containing my excitement as I put together my final selections for purchase. After all, the litmus test would truly be on the turntable - with headphones.
So, two ten-dollar records... and if I bought one more, I'd get all three for just twenty buckaroos. It was a bit of a chore finding that third one, but settled on Avalon, by Roxy Music. I have recently been digging into Roxy's catalogue on vinyl, and figured this might as well join my couple of other LPs. I know Avalon well, having played it hundreds of times on tape and CD back in the day. But it's been a long time since I've given it a thorough listening. So why not? I made the deal, and walked away. I'd stayed very close to my spending limit, so I left the building, not wanting to get myself into trouble. Happy happy, joy joy.
At home, I gave all four albums a thorough swabbing with record-cleaning solution, did the anti-static treatment, then played Side One of three of them (Roxy will come later). I'm happy to report that all three sides sounded really nice, and the Pink Floyd was surprisingly clean. In fact, when the guitar solo on Time came on, I experienced a serious chill down my spine... yes, the sound is beautiful. The Great Gig in the Sky is a mind-blower, too. This well-cared-for LP (though not the sleeve, but no biggie - the price was right) is gonna become my most-cherished album.
I'm sure glad I acted on my impulse to pop out to the flea market this morning. Oh happy day.
Saturday, February 15, 2020
New & Used Additions to the Record Shelf... and In the Listening Room
So far this year of 2020, my record shopping has been really, really lean. I did get one LP at Christmas-time (an online order) which I haven't reported here yet, so I'll include it in this update.
First of all, my little Christmas gift to myself was the album Meliora, by the Swedish metal-ish band Ghost. I absolutely love this album, which I've owned on CD since the day it was released. And I thought it would make a great addition to my record collection. Something I know I'll enjoy over and over, and which sounds super nice on vinyl. Not to mention the very cool album packaging... colourful and imaginative artwork front and back, and on the inner sleeve, plus a booklet of even more art related to each song, and slick band photos. And this Meliora LP didn't cost me much more than a CD. The melodic hard rock, sometimes verging on metal, sometimes gentle and operatic, is primo stuff - the best album of the past decade, in my opinion.
Then a few weeks back, I took a long hard look at my current very short LP Wish List, and decided I needed something fresh to my ears, something I wasn't so totally familiar with, yet I felt I'd really enjoy a lot. And that selection was The Grand Illusion by 70's and 80's rockers Styx. The album I got was a first pressing, straight out of 1977, in very nice condition. Original inner sleeve with lyrics and everything. A total pleasure to hear... and to discover some great tunes I'd never heard before, like Man In the Wilderness and Castle Walls. From top to bottom, a terrific album. I'm actually rather sheepish I've never heard this in its entirety before, let alone ever owned it. Anyway, better late than never. And now I frequently get earwormed to death by the strong hooks and melodies of Come Sail Away, Miss America, and the title track. Yes, I've had a Styx CD compilation on my shelf for many years, but this new (old) record is the perfect reason to rediscover the hits off The Grand Illusion.
Also recently, upon hearing of the death of the grandmaster of the drum world, Neil Peart, I figured it was time to complete my ever-so-slightly lacking Rush collection. Vinyl LPs of Rush albums are climbing in value (or at least in asking prices), so I though it would make more sense to just fill in the couple of gaps of my nearly complete Rush CD set. The two albums I was missing - but now finally own - were Vapor Trails (2002) and Clockwork Angels (2012).
Vapor Trails was a very tough sell for me... I tried to like it upon its release, but the loaned copy I heard was absolutely horrible. Yes, the band's style and sound had moved in a bit of a different direction... more of a wall of sound, a lot less riffy and melodic, just Alex laying impenetrable layers of sheetrock guitar chords. Not very inviting... to me. And on top of that, the engineering/production of the album went seriously south, at least to my ears. Vapor Trails was mixed extremely loud and that killed the sonics and dynamics of Rush's typically exciting sound. It came across as noisy and unlistenable. BUT after a long wait and complaints from fans and even the band themselves, the album was remixed and then re-released in 2013... and that was the edition that I grabbed. And this is totally listenable, far easier to get into the tunes and hear what's really going on... subtleties that were buried in the muddy first release's mix. I'm still working on the album, giving it proper attention when I sit to listen to it, so I'm not sure what songs stand out for me. Good so far!
I saw Rush live pre-Clockwork Angels, on their Time Machine tour in 2011, and got to hear the two tunes from the album that were released as an advance single - those were Caravan and BU2B. Actually, I did get the single before that show. The songs had a little something that reminded me of the Rush of old, a heaviness and style twist that harked back to their old days. I haven't fully absorbed Clockwork Angels yet (I had a digital copy but forgot I even had it), but it's definitely easier to digest and appreciate. Based on my few listenings so far, I can say this is a strong final album from one of rock music's greatest contributors. Rush have made their mark in more ways than one, and I'm proud to say I was a die-hard fan for much of my life, and even if I'm not so fanatic now, I at least still give these fellow Canadians some time on my turntable and CD player.
I've also listened to some music that was new to me... all on Youtube, not on physical media. The biggest surprise was The Dead South, a folk-bluegrass band from Saskatchewan, Canada. More home-boys! Their music immediately struck me as both accessible and away from the norm. The lack of fiddle was a plus for me, for though it can add a nice accent now and then, too much of it drives me up the wall. Their quartet, sometimes quintet, is usually comprised of guitar, banjo, mandolin, and cello. Great lead vocals and harmonies, and impressive instrumental work breath emotion and fun into cool and clever songwriting. It's not quite country music, and that friendly blend of folk and bluegrass makes me think of American roots music. The Dead South have a variety of sounds, from slow and dark to bright, fast and happy. Their lyrics sometimes take you by surprise... engaging stories told to music. The song that won me over (the first one I saw/heard - their live videos are the best) was The Recap... start there, then maybe try Black Lung and Broken Cowboy. And these guys even look the part, dressed in period attire.
Then on another note, I "discovered" The Cranberries. Sure, I've heard of them before many times, but never could associate their name with a song. I heard their song Dreams in a movie recently, and though it was really familiar, I had no idea who did it. Off to Youtube, and now I know. I like several of the other tracks of theirs I've heard, too. So I might investigate further... and see if it's worth getting a record or something.
And for something completely different, there was Sons of Apollo. I've tripped upon several of their videos, all suggested to me on Youtube. I wouldn't say I'm a fan, but they're interesting to watch as they cover classic prog, rock and metal. Oh, and they're a "super-group", if that means anything to you. You can get the full rundown on their Wikipedia page here. They're progressive metal and though that used to be something I liked a lot, their original tracks don't do much for me. Sort of Dream Theater-ish... and there are two DT guys in there, so.... Like I said, I enjoyed hearing and seeing the odd cover song video they did, like Comfortably Numb and stuff by Queen, Zeppelin, Van Halen, and Aerosmith. S'okay.
The Ghost of yore... they've since updated in the costume department
First of all, my little Christmas gift to myself was the album Meliora, by the Swedish metal-ish band Ghost. I absolutely love this album, which I've owned on CD since the day it was released. And I thought it would make a great addition to my record collection. Something I know I'll enjoy over and over, and which sounds super nice on vinyl. Not to mention the very cool album packaging... colourful and imaginative artwork front and back, and on the inner sleeve, plus a booklet of even more art related to each song, and slick band photos. And this Meliora LP didn't cost me much more than a CD. The melodic hard rock, sometimes verging on metal, sometimes gentle and operatic, is primo stuff - the best album of the past decade, in my opinion.
Then a few weeks back, I took a long hard look at my current very short LP Wish List, and decided I needed something fresh to my ears, something I wasn't so totally familiar with, yet I felt I'd really enjoy a lot. And that selection was The Grand Illusion by 70's and 80's rockers Styx. The album I got was a first pressing, straight out of 1977, in very nice condition. Original inner sleeve with lyrics and everything. A total pleasure to hear... and to discover some great tunes I'd never heard before, like Man In the Wilderness and Castle Walls. From top to bottom, a terrific album. I'm actually rather sheepish I've never heard this in its entirety before, let alone ever owned it. Anyway, better late than never. And now I frequently get earwormed to death by the strong hooks and melodies of Come Sail Away, Miss America, and the title track. Yes, I've had a Styx CD compilation on my shelf for many years, but this new (old) record is the perfect reason to rediscover the hits off The Grand Illusion.
Also recently, upon hearing of the death of the grandmaster of the drum world, Neil Peart, I figured it was time to complete my ever-so-slightly lacking Rush collection. Vinyl LPs of Rush albums are climbing in value (or at least in asking prices), so I though it would make more sense to just fill in the couple of gaps of my nearly complete Rush CD set. The two albums I was missing - but now finally own - were Vapor Trails (2002) and Clockwork Angels (2012).
Vapor Trails was a very tough sell for me... I tried to like it upon its release, but the loaned copy I heard was absolutely horrible. Yes, the band's style and sound had moved in a bit of a different direction... more of a wall of sound, a lot less riffy and melodic, just Alex laying impenetrable layers of sheetrock guitar chords. Not very inviting... to me. And on top of that, the engineering/production of the album went seriously south, at least to my ears. Vapor Trails was mixed extremely loud and that killed the sonics and dynamics of Rush's typically exciting sound. It came across as noisy and unlistenable. BUT after a long wait and complaints from fans and even the band themselves, the album was remixed and then re-released in 2013... and that was the edition that I grabbed. And this is totally listenable, far easier to get into the tunes and hear what's really going on... subtleties that were buried in the muddy first release's mix. I'm still working on the album, giving it proper attention when I sit to listen to it, so I'm not sure what songs stand out for me. Good so far!
I saw Rush live pre-Clockwork Angels, on their Time Machine tour in 2011, and got to hear the two tunes from the album that were released as an advance single - those were Caravan and BU2B. Actually, I did get the single before that show. The songs had a little something that reminded me of the Rush of old, a heaviness and style twist that harked back to their old days. I haven't fully absorbed Clockwork Angels yet (I had a digital copy but forgot I even had it), but it's definitely easier to digest and appreciate. Based on my few listenings so far, I can say this is a strong final album from one of rock music's greatest contributors. Rush have made their mark in more ways than one, and I'm proud to say I was a die-hard fan for much of my life, and even if I'm not so fanatic now, I at least still give these fellow Canadians some time on my turntable and CD player.
I've also listened to some music that was new to me... all on Youtube, not on physical media. The biggest surprise was The Dead South, a folk-bluegrass band from Saskatchewan, Canada. More home-boys! Their music immediately struck me as both accessible and away from the norm. The lack of fiddle was a plus for me, for though it can add a nice accent now and then, too much of it drives me up the wall. Their quartet, sometimes quintet, is usually comprised of guitar, banjo, mandolin, and cello. Great lead vocals and harmonies, and impressive instrumental work breath emotion and fun into cool and clever songwriting. It's not quite country music, and that friendly blend of folk and bluegrass makes me think of American roots music. The Dead South have a variety of sounds, from slow and dark to bright, fast and happy. Their lyrics sometimes take you by surprise... engaging stories told to music. The song that won me over (the first one I saw/heard - their live videos are the best) was The Recap... start there, then maybe try Black Lung and Broken Cowboy. And these guys even look the part, dressed in period attire.
The Dead South then took me to a similar sort of band, slightly country-ish or something, called Larkin Poe. Mad As A Hatter was the first tune I tried and I was hooked. When God Closes A Door has a bluesy edge to it... and I'm off to find more. Try 'em out!
Then on another note, I "discovered" The Cranberries. Sure, I've heard of them before many times, but never could associate their name with a song. I heard their song Dreams in a movie recently, and though it was really familiar, I had no idea who did it. Off to Youtube, and now I know. I like several of the other tracks of theirs I've heard, too. So I might investigate further... and see if it's worth getting a record or something.
And for something completely different, there was Sons of Apollo. I've tripped upon several of their videos, all suggested to me on Youtube. I wouldn't say I'm a fan, but they're interesting to watch as they cover classic prog, rock and metal. Oh, and they're a "super-group", if that means anything to you. You can get the full rundown on their Wikipedia page here. They're progressive metal and though that used to be something I liked a lot, their original tracks don't do much for me. Sort of Dream Theater-ish... and there are two DT guys in there, so.... Like I said, I enjoyed hearing and seeing the odd cover song video they did, like Comfortably Numb and stuff by Queen, Zeppelin, Van Halen, and Aerosmith. S'okay.
Saturday, February 8, 2020
A Titan of the Silver Screen - Kirk Douglas
This past week, we lost one of the last great actors of the film industry's Golden Age, Kirk Douglas. I've seen several of his movies over the years, and in every one, whether a blockbuster or minor gem, Douglas shone with his special form of acting artistry. He was the recipient of the Academy Honorary Award for "50 years as a creative and moral force in the motion picture community" in 1996.
Kirk Douglas worked hard, taking on role after role in movies since the mid-1940's. He has long been considered a major star, and ranked high on the AFI's list of "greatest male screen legends of classic Hollywood". I've seen quite a few of his films, my favourites being Paths of Glory and Spartacus (both with director Stanley Kubrick), Out of the Past, 20,000 Leagues Under the Sea, Gunfight at O.K. Corral, and Seven Days in May. As Douglas' acting output slowed down, he moved more toward TV work.
Douglas even got into the producer game as his career trajectory widened, setting up his own production company to work with Kubrick on Paths of Glory and Spartacus, then later The Brotherhood, and Posse, among others.
It is important to point out that when anti-war film Paths of Glory was released in 1957, Douglas gave full credit to its screenwriter Dalton Trumbo, who was on the Hollywood Blacklist at the time, thereby putting an end to the blacklist. The blacklist was enforced by the entertainment industry during the early years of the Cold War to deny employment to anyone suspected of being Communists or sympathizers. Many careers were harmed or ended under this list, but it was Douglas who took a stand and changed the system for the better.
He was also a productive author, writing ten novels and memoirs. The guy never slowed down and had no end of creative energy.
It's especially notable that Douglas lived to the ripe old age of 103. In his illustrious lifetime, he appeared in close to one hundred films, garnering several Academy Award nominations.
For me, it was Paths of Glory and Spartacus that initially gave me an idea of Kirk Douglas's ability as an actor. In Paths of Glory, his gripping turn as the commander of a French army division who refuse to carry out a suicidal attack made an big impression on me. Then flip to his dynamic portrayal of the leader of a slave revolt in ancient Rome... stunning. The former is a smaller, more intimate (though not at all lacking in drama) story while Spartacus is a sprawling epic of great visual and narrative scope. And in both movies, Douglas gave performances that would stay with us a lifetime.
RIP, Kirk.
Kirk Douglas worked hard, taking on role after role in movies since the mid-1940's. He has long been considered a major star, and ranked high on the AFI's list of "greatest male screen legends of classic Hollywood". I've seen quite a few of his films, my favourites being Paths of Glory and Spartacus (both with director Stanley Kubrick), Out of the Past, 20,000 Leagues Under the Sea, Gunfight at O.K. Corral, and Seven Days in May. As Douglas' acting output slowed down, he moved more toward TV work.
Douglas even got into the producer game as his career trajectory widened, setting up his own production company to work with Kubrick on Paths of Glory and Spartacus, then later The Brotherhood, and Posse, among others.
It is important to point out that when anti-war film Paths of Glory was released in 1957, Douglas gave full credit to its screenwriter Dalton Trumbo, who was on the Hollywood Blacklist at the time, thereby putting an end to the blacklist. The blacklist was enforced by the entertainment industry during the early years of the Cold War to deny employment to anyone suspected of being Communists or sympathizers. Many careers were harmed or ended under this list, but it was Douglas who took a stand and changed the system for the better.
He was also a productive author, writing ten novels and memoirs. The guy never slowed down and had no end of creative energy.
It's especially notable that Douglas lived to the ripe old age of 103. In his illustrious lifetime, he appeared in close to one hundred films, garnering several Academy Award nominations.
For me, it was Paths of Glory and Spartacus that initially gave me an idea of Kirk Douglas's ability as an actor. In Paths of Glory, his gripping turn as the commander of a French army division who refuse to carry out a suicidal attack made an big impression on me. Then flip to his dynamic portrayal of the leader of a slave revolt in ancient Rome... stunning. The former is a smaller, more intimate (though not at all lacking in drama) story while Spartacus is a sprawling epic of great visual and narrative scope. And in both movies, Douglas gave performances that would stay with us a lifetime.
RIP, Kirk.
Saturday, February 1, 2020
Top 10 Movies of the 2000s
After having laboured over my Top 10 Movies of the 2010s, I felt it would be a good time (if a little late) to dig back into the previous decade and compile my Top 10 favourites of the 2000s - meaning 2000 to 2009 inclusive.
Now this was really tough! I had no yearly Top 10 lists to consult on either my blog (which hadn't even existed then) or on my Letterboxd webpage (not even a thing yet). So my research involved first skimming many other Letterboxd Top 10s for ideas, then poring over all ten years of movie releases on Wikipedia. Yes, my eyes were pretty sore after all that. But from all that work, I think I've boiled it all down to the movies I liked best from that decade. As for the ranking, well, that's another matter.
But what a decade! A lot of really good films, yet not so many amazing ones that I immediately knew which ones would make my Top 10... not as easy a task as putting together my list for the 2010s. That one was a cinch, in relative terms - all absolute favourites there. But after about only about five "for sures" on this one, I began to seriously flounder. I mean, how could I not include The Incredibles, Synecdoche New York, No Country For Old Men, or even The Lord of the Rings Trilogy, for cryin' out loud? Yet there were films that meant even more to me, so those took precedence.
So I had to search my soul and my memory for how strongly I felt about these movies, and how re-watchable they were. How many times had I seen and still enjoyed The Wrestler versus Adaptation? Another factor is that I haven't even seen many of these films in years, some in over a decade... so how well do I even remember a particular movie and how much I liked it? Sometimes I just had to take a measured guess. So you may not be seeing the absolute concrete best results of all my toil over this list. But it's probably pretty darn close.
It's interesting to note the number of comedies that made this 2000s list. It was a good decade for the funny stuff, and a lot of it resonated with my particular sense of humour. Quite the contrast to my very dark and disturbing Top 10 for the 2010s. Even my lengthy list of honourable mentions for the 2010s was pretty skimpy in the comedy department.
I'd say that my top two movies are definitely carved in stone. They are among my favourites of all time, so they're easily certain, without a doubt. After that, my entries may be somewhat interchangable, depending on the day and my mood. I suppose it's safe to say that Casino Royale will always rank higher than The Wrestler. You get my drift.
And now, without further adieu, here are...
My Top 10 Movies of the 2000s:
1. Lost in Translation
2. Amélie
3. Before Sunset
4. Casino Royale
5. Wall-E
6. High Fidelity
7. About a Boy
Honourable Mentions (in no particular order):
Legally Blonde
The Incredibles
Apocalypto
Synecdoche New York
Spanglish
Sideways
Ghost World
Almost Famous
Juno
The Hurt Locker
Sunshine Cleaning
The Punisher
Bill Murray and Scarlett Johansson share very real chemistry in Lost in Translation
Now this was really tough! I had no yearly Top 10 lists to consult on either my blog (which hadn't even existed then) or on my Letterboxd webpage (not even a thing yet). So my research involved first skimming many other Letterboxd Top 10s for ideas, then poring over all ten years of movie releases on Wikipedia. Yes, my eyes were pretty sore after all that. But from all that work, I think I've boiled it all down to the movies I liked best from that decade. As for the ranking, well, that's another matter.
But what a decade! A lot of really good films, yet not so many amazing ones that I immediately knew which ones would make my Top 10... not as easy a task as putting together my list for the 2010s. That one was a cinch, in relative terms - all absolute favourites there. But after about only about five "for sures" on this one, I began to seriously flounder. I mean, how could I not include The Incredibles, Synecdoche New York, No Country For Old Men, or even The Lord of the Rings Trilogy, for cryin' out loud? Yet there were films that meant even more to me, so those took precedence.
So I had to search my soul and my memory for how strongly I felt about these movies, and how re-watchable they were. How many times had I seen and still enjoyed The Wrestler versus Adaptation? Another factor is that I haven't even seen many of these films in years, some in over a decade... so how well do I even remember a particular movie and how much I liked it? Sometimes I just had to take a measured guess. So you may not be seeing the absolute concrete best results of all my toil over this list. But it's probably pretty darn close.
It's interesting to note the number of comedies that made this 2000s list. It was a good decade for the funny stuff, and a lot of it resonated with my particular sense of humour. Quite the contrast to my very dark and disturbing Top 10 for the 2010s. Even my lengthy list of honourable mentions for the 2010s was pretty skimpy in the comedy department.
I'd say that my top two movies are definitely carved in stone. They are among my favourites of all time, so they're easily certain, without a doubt. After that, my entries may be somewhat interchangable, depending on the day and my mood. I suppose it's safe to say that Casino Royale will always rank higher than The Wrestler. You get my drift.
And now, without further adieu, here are...
My Top 10 Movies of the 2000s:
1. Lost in Translation
2. Amélie
3. Before Sunset
4. Casino Royale
5. Wall-E
6. High Fidelity
7. About a Boy
8. Let the Right One In
9. The Wrestler
10. The 40-Year Old Virgin
--10. The 40-Year Old Virgin
Honourable Mentions (in no particular order):
Legally Blonde
The Incredibles
Apocalypto
Black Hawk Down
Pan's Labyrinth
Donnie Darko
AdaptationSynecdoche New York
Spanglish
Sideways
Ghost World
Almost Famous
Juno
The Hurt Locker
Sunshine Cleaning
The Punisher
Hedwig and the Angry Inch
Ratatouille
Hellboy
Mean Girls
No Country For Old Men
Million Dollar Baby
I Love You, Man
Lord of the Rings Trilogy
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