Saturday, April 28, 2018

Let's Rap - Part I

Something I rarely mention in my blog is rap music. I don't hate rap but it just doesn't speak to me. I can't relate to the lyrics, and the backing music rarely engages me. I put that down to my generation and my upbringing. Rap simply didn't exist for me when I was a kid during the 70's, and it was only once I'd already established my musical "roots" in rock that rap hit the mainstream. A little research showed me that the first rap album was released in 1979... and controversy swirls around who actually made it to vinyl first - The Sugarhill Gang or The Fatback Band, who released recordings within weeks of each other. I don't really care either way.

When I heard my first tidbits of rap in the early 80's, I was indifferent. Rap looked and sounded like the antithesis of all that I loved in music. I was all about Led Zeppelin, AC/DC, Iron Maiden, Rush, and all manner of heavy rock. And even when I strayed from metallic music, I ventured toward pop like Monkees, Beatles, and a few 80's New Wave-y artists like The Police, Talking Heads, Devo, The Cars, Gary Numan, and The Knack. Rap simply didn't enter the equation for me then. It didn't exist in my world.

Michael Jackson's rise to fame in the early 80's was a source of derision for me and my fellow rocker friends. His music videos were the brunt of our jokes. We enjoyed Weird Al's spoofs more than the originals. Now I know Jackson wasn't exactly rap, but his style was old Motown wrapped in modern pop sensibilities, and occasionally strayed in a small way into hip-hop. And he must have helped rap get a foothold in the mainstream, I'm sure. Anyway, with MJ and actual rappers like LL Cool J and Run DMC ruling the MuchMusic (Canada's version of MTV) airwaves in the early-to-mid-80's, I kept my deflector shields up and sensors on full scan against anything resembling rap/hip-hop. 

Years later, finally giving this music a real chance, and more open-minded, I discovered that I liked some of it. It was in the mid-to-late 90's that I learned to appreciate some rap, not to mention ol' MJ. Better late than never, I guess.

Recently, I thought it would be an interesting project to examine what I like in rap, and maybe even narrow it down to a favourite artist or group. And document the process here. Off the top of my head, I'd say Public Enemy caught my attention most and held my interest for the longest. Though I don't spin my PE CDs much anymore, I can still enjoy a tune or two now and then. 

But to be more thorough, I'm going to look harder at where I began with rap and what artists and songs really resonated with me. Sort of a brainstorming session, to begin with. Right now...

The movie Bulworth might have been the catalyst for my descent into the world of rap. First off, the music soundtrack complemented the story perfectly... and secondly, the music itself was hard-edged and "street", which appealed to me at the time. Guys like LL Cool J, RZA, Public Enemy, Method Man, and KRS-One were among the rappers on the soundtrack. 

I was spurred on by that heavy urban sound and carefully selected some CD compilations that included a few artists I liked. That way, there was something there I knew I'd enjoy, but also some unknowns that I could try on for size. This was how I found still-fave artists like Tribe Called Quest, Jungle Brothers, and De La Soul.

The lighter, more fun side of hip-hop sometimes appealed to me, too. Skee-Lo, Apache Indian, and Run DMC were among the rhymers who did songs I liked. I Wish, Boom Shack-a-Lack, and Mary Mary were among the most memorable.



I also developed a liking for Warren G, Dream Warriors, and P.M. Dawn as I navigated the complex landscape of urban music. Sure, I probably missed some great stuff while on my somewhat isolated journey, but as I was recently told by a long-time rap fan, I was lucky enough to unknowingly immerse myself in what many consider rap's Golden Age. I dabbled just a little in stuff outside of, or on the fringes of, that mid-80's-to-early-90's heyday. 

That initial listening led me to buy some key rap studio albums, with heavy emphasis on Public Enemy, who had captured my imagination best. It Takes a Nation of Millions, Fear of a Black Planet, Muse Sick-n-Hour Mess Age, and He Got Game. Non-PE albums were All World, by LL... and Regulate - G Funk Era, by Warren G... and P.M. Dawn's Of the Heart, Of the Soul, and Of the Cross. A few solid compilations, including Total Def Jam and This is Hip Hop, saw a lot of action on my player. I made a few of my own comps, too, one of my faves being a Run DMC selection of hits.

A friend suggested I try The Grey Album by Jay-Z and DJ Danger Mouse. A pretty cool synthesis of Beatles White Album tracks with samples and sounds of modern hip-hop. Also on the menu around this time was Outkast... The Love Below album. Pretty groovy.

Within the past decade, I learned about Gang Starr and found something worthwhile in their Full Clip compilation album. Chill tunes delivered with street-wise cool. The ground-breaking NWA greatest hits showed me more early rap classics, and though I wasn't entirely taken by their music, it was important to at least have this reference point in my tiny world of hip-hop.

Rappers that I consider far better than the rich-and-famous celebrities Drake, Nicki, and P. Diddy (or whatever moniker he goes by these days) are Pharcyde, Aesop Rock, and Jurassic 5. I'm newer to their music, but it was easy to like with its creative and more challenging lyrics. Not so dumbed down for instant radio and sales success.

Though I can recognize talent in the odd modern rap artist or group, I don't really feel it, you know? The best rap I've encountered is older rap, and for many years - even today, has been the least commercial, more underground stuff. I'm investigating some of this right now, as I write. Aesop Rock, Deltron 3030, Sage Francis, and so on.

Now that I've finished that brain-dump, I'll sift through the artists, try out a bit more music, and distill this mess down into a more organized list of my favourites. So join me as I boil my findings down to a single favourite (or a few). More to come in the next instalment!

Saturday, April 14, 2018

The Listening Booth & New Records

What a year for music... some of my favourite artists are either releasing new albums or are beginning work on new albums. 

In March, the mighty Judas Priest surprised me with a strong platter of metal, Firepower, and began their world tour (I caught their thunderous live show here in town) to support the record. The legendary headbangers have still got that magic touch, producing a seriously rockin' album that is nearly on par with the music from their heyday in the 80's. I'm still giving Firepower serious rotation in my playlist, my most-played songs being Firepower, Lightning Strike, and Evil Never Dies. This album is so hot that it truly sizzles. 



Just last week, the princess of pop Kylie Minogue released her fourteenth studio album, Golden. The three advance singles are pop gems, though I was at first a bit stunned to hear a country influence in Dancing. But that slight twang sound works well. The remaining songs on the album vary in their success, and I feel differently about the record from day to day. A veteran in the music business, Kylie took a risk in changing her sound, but at least she hung onto her pop sensibility just enough to keep my interest.

Setting aside the oldsters for a moment, the more modern band Ghost has announced a June 1st release date for their next studio effort, Prequelle. As soon as Amazon has the vinyl LP up for pre-order, I'll line that up. The advance single Rats is pretty cool, still bearing the distinctive Ghost sound... heavy yet melodic... and a "new" frontman to replace Papa Emeritus III... Cardinal Copia. Based on the song Rats, I have a good feeling about the upcoming album.

Further down the road, there will be a brand new offering from thrash metal kings (in my opinion) Megadeth. The band recently let slip that they're going into the studio mid-year, with a 2019 release date in mind. Riding on the strength on their Grammy-winning Dystopia of 2016, Megadeth is sure to continue to pummel fans with their brand of technical metal. I once saw the guys perform as opening act for Heaven & Hell (Black Sabbath with Dio on vocals), but their set was far too short for my liking. I'd love to see the Mega-dudes headline sometime in the near future, while I'm still in decent shape for concert-going. These old bones can only take so much rattling.


A Ghost-ly ceremony in days of yore, Papa Emeritus is no more
Cardinal Copia now conducts the masses, the ghouls... the lads... and the lasses


New additions to the record shelf:

This week the mail brought me a couple of vinyl classics that are making me very happy. Screaming For Vengeance by Judas Priest is quintessential 80's metal. On this nice 180-gram re-issue, the twin-guitar attack simply explodes... and every song is a winner, even the few that I was a little iffy about for many years. Funny how the media format can make all the difference; I never got this fired up over the remastered CD, for crying out loud. 

The other record I got is Peace Sells... But Who's Buying, by good ol' Megadeth. Also a re-issue on heavy-weight vinyl, this is another 80's masterpiece, though far angrier and edgier than the slick polish of the Priest disc. Mega-Dave is in all his young and snarling glory on the band's second album, and his players dazzle with guitar, bass, and drum pyrotechnics throughout, particularly on mainstays Wake Up Dead, The Conjuring, and of course, the title track. Sick.

Not long ago, I snagged a super cheap copy of Priest's Defenders of the Faith on CD. I never owned a proper copy before... just a tape-to-tape dub I had in the 80's. Back in the day, for whatever reason, that album never quite resonated with me the way Screaming For Vengeance did (and still does, of course). But giving it another chance, I find I quite like it... I've always really enjoyed the high-energy Freewheel Burning... and can now better appreciate the album as a whole. The slow tempo of a few songs used to turn me off, but I can now dig them nearly as much as jackhammers like The Sentinel and Eat Me Alive.

As far as further listening goes, I enjoyed the weirdly retro-looking video on Youtube for First Aid Kit's folk-pop song Rebel Heart. I inadvertently experienced the metal madness of Deathklok when I looked up the three Batmetal videos... the music isn't what I'd normally go for (way too much gutteral vocals) but the draw of the extreme animation took me there. Crazy as hell. And I finally broke down and got an inexpensive copy of Kylie Minogue's collection of re-mixes called Boombox. For the most part, it's pretty good, with just a couple of so-so tunes. Now my Kylie collection is more complete than ever before. 

Saturday, April 7, 2018

This Isn't Your Parents' Star Wars

With the recent release of Star Wars: The Last Jedi on home video, I am re-infused with enthusiasm for this legendary franchise. I was extremely Luke-warm about Rogue One (see what I did there?) thanks to its disassociation with everything we already knew about Star Wars. I know there were a couple of brief references to the oldies, but there was nothing tangible to connect Rogue One with its memorable precursors... the original trilogy, that is... I dislike the prequels more and more as years pass.



And I shouldn't ignore The Force Awakens, which while pretty derivative of A New Hope, was still fun and nostalgic. The Force Awakens set the stage for this current trilogy, and ably served double-duty as both an homage to the good old days and a launchpad for a new story and new characters. 

The Last Jedi, on the other hand, offered a refreshingly original story that engaged and excited me. I willingly went along for the ride, noting but not dwelling on its little problems and oddities. Like the cutesy Tribble-like Porgs... those ridiculous birdies that lived on Luke's remote island... and inexplicably found their way onto the Millennium Falcon. And the clunky, too-busy casino scenes that didn't serve much of a purpose. Oh, and those weird and unnecessary sea cows. Jeez.

The Last Jedi has its detractors, but I like it just fine. I don't love it and don't think it's great, but it was something I needed to restore my faith and appreciation for the magical world of Jedis, droids, X-wing fighters, aliens and all that jazz. For me, The Last Jedi works. It's not perfect, but it is - in my opinion - an improvement upon The Force Awakens, and helps to erase memories of the numbingly cringy prequels. I feel like all I need in my Star Wars universe are A New Hope and its four sequels. No pre-history films. No abominable attempts at romance between Anakin and Padmé. No CGI Yoda jumping around like a cartoon character. I will make one exception - the animated Clone Wars TV series from 2003-2004... it manages to stay true to the original vision while further expanding the mythology and history.



So far, the current trilogy is doing the job for me. I'd like to think that new franchise owner Disney can sustain this level of quality for several more decades, so I can continue to enjoy Star Wars movies until my final day. I might have to just ignore the slated standalone films, though. Rogue One was the first of the standalone stories, and it did nothing to impress me. It failed to successfully fill the gap between chapters of the trilogy. And from what I've seen and heard of the next standalone, Solo: A Star Wars Story, I'm worried. This tale of young Han Solo will include his old smuggler buddy Lando Calrissian and his loyal fuzzball co-pilot Chewbacca. But for all the flash I see in the trailers, I think there's gonna be a big disconnect with these new, young actors portraying characters we long-time fans know awfully well. So well that it'll be tough to accept newcomers in the roles of Han and Lando. I suppose young viewers who haven't had a lifetime of Harrison Ford and Billy Dee Williams fixed in their minds, won't have such a problem with it. The Solo movie is set for a May release date, so we'll just have to wait and see what sort of reception it gets. 

It doesn't look like we're ever going to get anything new that's as timeless and (here's that word again) magical as the original trilogy. The Force Awakens and The Last Jedi brought back a few old favourite characters for a final hurrah, but besides a fond nostalgic feeling, there just wasn't the warmth and heart of those 70's and 80's classics. The studios and directors and writers have tried and tried to recapture that spirit, but I think that will simply remain in the past. We can re-live that spirit by watching our DVDs and Blu-rays (and maybe videotapes?) of A New Hope, The Empire Strikes Back, and Return of the Jedi. 

Looking forward, let's make the best of it as an increasing world population of fans and film-makers keep the Star Wars franchise alive. 

May the Force be with you...