The recent passing of hard-rocking, hard-living Lemmy Kilminster, singer and bassist for Motörhead, has left a void in the world of rock'n'roll. Lemmy succumbed to an aggressive form of cancer just days after his diagnosis. Aged 70, he certainly lived the lifestyle right to the end, only cutting back a bit on the booze after experiencing some other health issues. In life, Lemmy admitted that without sex, drugs, and rock'n'roll, he'd go to his grave with regrets. And he wouldn't have that. So.... no remorse.
I discovered Motörhead as a teenager, watching Canadian music magazine TV program The New Music back in the late 70's and into the 80's. The concert footage was raw and visceral, the music and band's appearance both freaky and aggressive. Lemmy's brand of punk-ish heavy metal was also a forerunner to thrash. He wasn't afraid to cross and blend genres, always resulting in something wild and exciting. Lemmy has inspired and influenced generations of musicians and fans. His work ethic alone was enough to impress the kids, not to mention his peers. And when he wasn't hammering on his bass and howling on stage, he partied harder than most rockers. Lemmy was a curiosity in how he survived all of the substance use for so long. He never did the Ozzy or Aerosmith rehab thing, choosing instead to live life on his own terms.
The first Motörhead songs I ever heard - back in 1980 - were Ace of Spades and The Chase is Better Than the Catch. Oh, and another favourite was Love Me Like a Reptile... mostly for Lemmy's not-so-subtle sexual innuendo, delivered with high volume and humour. Take that, AC/DC!
Over the years, I've been quite content with my copy of the No Remorse compilation, a blistering package of a couple dozen of Motörhead's most popular tracks. Given my love of those aforementioned songs, I just had to add the Ace of Spades studio album to my collection, too. Rowdy, pummeling tracks like Shoot You In the Back, (We Are) The Road Crew, and Jailbait sure got the blood pumping. I eventually snagged Overkill, a great disc featuring classics Stay Clean, I'll Be Your Sister, and Metropolis.
I loved the interview with Lemmy in the Metal: A Headbanger's Journey documentary. The old fella was so quick on the draw with witty and sly remarks, all punctuating his captivating stories about misadventures onstage and on the road. The 2010 doc entitled simply Lemmy was an even more expansive look at the life and times of the rock legend. What I love about the guy is his complete honesty. He lived and breathed rock'n'roll and was simply himself all the time... he did not adopt a stage persona or put on any phony act for anyone. The leather and long hair were exactly who he was. Loud and proud.
Lemmy led a colourful and memorable life. From early work as roadie for Jimi Hendrix to augmenting the band Hawkwind with his bass stylings, then founding his very own band, Motörhead of course, where his career took off like a rocket.
R.I.P., Lemmy. You shall be missed.
And I'm sure sales of Motörhead's "Snaggletooth" shirts will go through the roof now.
Tuesday, December 29, 2015
Sunday, December 27, 2015
Headphone Music
I recently upgraded to a superior set of studio-quality stereo headphones, the Sennheiser 598SE model. I have to say that I've never heard music reproduced so beautifully ever before in my life. Thank goodness I've got a decent Technics amplifier to funnel the signal from my CD player to the 'phones.
Happily, I have re-discovered the joy of headphone listening, something I did a lot of during my high school and college years, but not so much since then. So it's been decades.
Before I even put on the headphones, I spent some time planning what music I would choose for my first listening session. I had to really make this count. It was only at the last moment that I realized that the very first thing I should hear on my new Sennheiser set was one of my all-time favourite hi-fidelity albums, Crime of the Century, by English pop/rock virtuoso band Supertramp. Track number one, School, couldn't have been a better choice for the first thing I heard out of those "cans" (an old slang term for headphones in the industry). The crystalline highs and the thrumming lows were all perfectly reproduced, suitably knocking my socks off. Supertramp's twinkling piano, falsetto vocals, throaty horns, and persuasive percussion were impressively voiced by my brand new Senns.
After checking out nearly the entire Crime of the Century album, I moved on to two of my favourite Supertramp songs, which lead off their Crisis... What Crisis album. Easy Does It and Sister Moonshine are those tracks, the second of which positively burst with even brighter energy and dynamics than I'd ever heard before.
Then on to a handful of James Bond film music. I have almost every single Bond soundtrack (missing only the few worst entries in the series), and chose some of the earlier theme songs (composer John Barry's works) to kick things off. You Only Live Twice was a beauty, but Diamonds Are Forever sounded even more amazing, Shirley Bassey's full and powerful vocals better than ever. The lush instrumentation, particularly the horns and strings, was almost more than I could bear, and that also applied to the theme song from For Your Eyes Only, and the main theme from On Her Majesty's Secret Service (plus its exciting Battle at Piz Gloria). I also tried out some of the other Bond incidental music, all of it given new vitality through the new headset.
Then on to some dance-pop: I chose a few favourite Kylie Minogue songs, starting off with the near-EDM club track I Believe In You, which really popped, revealing subtleties I'd never heard before. Next was Confide in Me, the version off The Abbey Road Sessions... this was an hypnotic beauty. The One and Everything is Beautiful were both equally impressive, too, lending themselves nicely to the fidelity assessment.
Steely Dan seemed to be a required band to test on the new 'phones, so I chose my fave Dan song, FM. Two thumbs up. Then it was finally time for what most people would have chosen as their number one: Pink Floyd's Dark Side of the Moon. Even this early CD pressing, not a later remaster, sounded pristine in its presentation. Lead-off tracks Speak to Me, Breathe, and Time were enough to convince me. Oh yeah.
Back to some film music, I put on Star Wars: A New Hope. I've heard this soundtrack a gazillion times since I first bought it on vinyl back in '77. Now on CD, it sounds crazy good, crisp, clean, and majestic. I went to key tracks... the Main Title/Rebel Blockade Runner (which appear in the opening scene of the movie) and then the tense and riveting Imperial Attack. The depth of the horns and strings was more evident than ever this time around. The Rebel Blockade Runner piece contained ominous and thrilling sections, and yet the several "movements" within the track allowed for a variety of moods and tempos; sometimes light and melodic, sometimes sweeping and dramatic.
Gotta get some Rush in there, so I flipped on two tracks from A Farewell to Kings, the album from the band's Golden Era that features the best dynamic range and varied song styles. I chose Xanadu and Cygnus X-1, both of which displayed stunning clarity and detail, not to mention a kick that rocked harder than ever. Xanadu in particular is a complex and multi-layered arrangement, perfectly suited to the up close and private listening experience. These Sennheiser 'phones were up to the task. Again, this was an early (the first, in fact) CD pressing, un-remastered, yet the precise and sharp reproduction was dazzling.
Then it was time for some ol' Ludwig Van... so I played the last two movements of his Ninth Symphony (my fave classical piece), the Deutsche Grammophon recording featuring conductor Herbert Von Karajan. "Angel trumpets and devil trombones", to quote Beethoven admirer Alex from the film A Clockwork Orange. Glorious, timeless music. This 1962 recording sounds unbelievably clean and ambient, superior and sophisticated for its era. The Senn headphones did the music justice, believe me, beautifully translating the grandeur, majesty, and elegance of Beethoven's original work. This spiritual musical drama moves us with its sublime soft passages and its intoxicating orchestral barrages, and most notably, in its final "acts", renders us helpless to the emotional power of the tenor, baritone, soprano, and the choral vocalists. Whew!
These were just the highlights of my three-hour headphone listening marathon. I scoured my music collection, playing DJ for the evening, spinning favourite songs that I considered the best to test the audio fidelity of my new headphones. What a way to re-discover great music, plus the joy of hearing it in the best way possible. These Sennheisers are the most impressive darned "ear-goggles" (as Mr. Jimi Hendrix dubbed his headphones) I've ever tried.
- It should be noted that I have no affiliation or association with Sennheiser. These are my opinions only, based on personal experience with the product.
Happily, I have re-discovered the joy of headphone listening, something I did a lot of during my high school and college years, but not so much since then. So it's been decades.
Before I even put on the headphones, I spent some time planning what music I would choose for my first listening session. I had to really make this count. It was only at the last moment that I realized that the very first thing I should hear on my new Sennheiser set was one of my all-time favourite hi-fidelity albums, Crime of the Century, by English pop/rock virtuoso band Supertramp. Track number one, School, couldn't have been a better choice for the first thing I heard out of those "cans" (an old slang term for headphones in the industry). The crystalline highs and the thrumming lows were all perfectly reproduced, suitably knocking my socks off. Supertramp's twinkling piano, falsetto vocals, throaty horns, and persuasive percussion were impressively voiced by my brand new Senns.
After checking out nearly the entire Crime of the Century album, I moved on to two of my favourite Supertramp songs, which lead off their Crisis... What Crisis album. Easy Does It and Sister Moonshine are those tracks, the second of which positively burst with even brighter energy and dynamics than I'd ever heard before.
Then on to a handful of James Bond film music. I have almost every single Bond soundtrack (missing only the few worst entries in the series), and chose some of the earlier theme songs (composer John Barry's works) to kick things off. You Only Live Twice was a beauty, but Diamonds Are Forever sounded even more amazing, Shirley Bassey's full and powerful vocals better than ever. The lush instrumentation, particularly the horns and strings, was almost more than I could bear, and that also applied to the theme song from For Your Eyes Only, and the main theme from On Her Majesty's Secret Service (plus its exciting Battle at Piz Gloria). I also tried out some of the other Bond incidental music, all of it given new vitality through the new headset.
Still got my 45rpm single of James Bond movie theme
Nobody Does It Better (1977)
Then on to some dance-pop: I chose a few favourite Kylie Minogue songs, starting off with the near-EDM club track I Believe In You, which really popped, revealing subtleties I'd never heard before. Next was Confide in Me, the version off The Abbey Road Sessions... this was an hypnotic beauty. The One and Everything is Beautiful were both equally impressive, too, lending themselves nicely to the fidelity assessment.
Steely Dan seemed to be a required band to test on the new 'phones, so I chose my fave Dan song, FM. Two thumbs up. Then it was finally time for what most people would have chosen as their number one: Pink Floyd's Dark Side of the Moon. Even this early CD pressing, not a later remaster, sounded pristine in its presentation. Lead-off tracks Speak to Me, Breathe, and Time were enough to convince me. Oh yeah.
Back to some film music, I put on Star Wars: A New Hope. I've heard this soundtrack a gazillion times since I first bought it on vinyl back in '77. Now on CD, it sounds crazy good, crisp, clean, and majestic. I went to key tracks... the Main Title/Rebel Blockade Runner (which appear in the opening scene of the movie) and then the tense and riveting Imperial Attack. The depth of the horns and strings was more evident than ever this time around. The Rebel Blockade Runner piece contained ominous and thrilling sections, and yet the several "movements" within the track allowed for a variety of moods and tempos; sometimes light and melodic, sometimes sweeping and dramatic.
Gotta get some Rush in there, so I flipped on two tracks from A Farewell to Kings, the album from the band's Golden Era that features the best dynamic range and varied song styles. I chose Xanadu and Cygnus X-1, both of which displayed stunning clarity and detail, not to mention a kick that rocked harder than ever. Xanadu in particular is a complex and multi-layered arrangement, perfectly suited to the up close and private listening experience. These Sennheiser 'phones were up to the task. Again, this was an early (the first, in fact) CD pressing, un-remastered, yet the precise and sharp reproduction was dazzling.
Stone-faced Beethoven, overlooking the Münsterplatz
in Bonn, Germany
Then it was time for some ol' Ludwig Van... so I played the last two movements of his Ninth Symphony (my fave classical piece), the Deutsche Grammophon recording featuring conductor Herbert Von Karajan. "Angel trumpets and devil trombones", to quote Beethoven admirer Alex from the film A Clockwork Orange. Glorious, timeless music. This 1962 recording sounds unbelievably clean and ambient, superior and sophisticated for its era. The Senn headphones did the music justice, believe me, beautifully translating the grandeur, majesty, and elegance of Beethoven's original work. This spiritual musical drama moves us with its sublime soft passages and its intoxicating orchestral barrages, and most notably, in its final "acts", renders us helpless to the emotional power of the tenor, baritone, soprano, and the choral vocalists. Whew!
These were just the highlights of my three-hour headphone listening marathon. I scoured my music collection, playing DJ for the evening, spinning favourite songs that I considered the best to test the audio fidelity of my new headphones. What a way to re-discover great music, plus the joy of hearing it in the best way possible. These Sennheisers are the most impressive darned "ear-goggles" (as Mr. Jimi Hendrix dubbed his headphones) I've ever tried.
- It should be noted that I have no affiliation or association with Sennheiser. These are my opinions only, based on personal experience with the product.
Friday, December 18, 2015
That's No Moon
The new Star Wars film, The Force Awakens,has hit theatres, driving the world into a frothing Jedi mania. I can't wait. Got my Rebel Alliance tee ready to wear to the event of the decade. I'm not sure when I'll see the new movie, but it'll be soon.
As I near this momentous occasion, and the re-appearance of the actors/characters from the original trilogy (episodes IV - VI), I fondly recall my experiences during the very first Star Wars craze. Months before that first film appeared in theatres, I had already bought movie magazines revealing photos and info about the upcoming space fantasy. Shortly after I saw the movie, I got myself a poster (the Hildebrand illustration... still got it!), the novelization of the movie, and even a t-shirt (white, because black was not a cool tee colour yet) showing Luke and C-3PO. Man, I got kidded so much for wearing that shirt back in elementary school in the 70's. It just wasn't cool back then. You kids today have got it easy. Sci-fi is actually cool now. Back then, you'd get the snot beaten out of you for proclaiming your love of sci-fi. I managed.
I bought up some other Star Wars books back then, like the "Sketchbook" of pre-production designs, the Star Wars Blueprints (so I could build my own landspeeder, which I never did, dammit), and the Star Wars Album, which showed off lots of behind-the-scenes pics and info. Oh, and of course, I owned the first pressing of the soundtrack on vinyl record. Really.
At age 16, when The Empire Strikes Back hit theatres in Canada, I saw it not once, but twice. That was the first time I ever saw a movie more than once in the theatre. I think I first saw it with friends, then again on a whim I took my kid brother to see it one Saturday afternoon. I just had to to see Empire again, so I coughed up the cash for my brother's admission The cinema was packed so we couldn't get seats together, so we had to separate, sitting near each other but one row apart. Weird, but it didn't matter at the time.
Return of the Jedi came along when I was just about to graduate from high school, but at least I was hanging with a crowd who were just as nuts about Star Wars as I was at the time. Quite the cinematic experience. I don't remember much about that outing, though I do recall seeing Leia's gold slave bikini for the first time. Hey, who doesn't?
For more of my Star Wars memories, check out this post and other entries about lots of other cool stuff. All approved by the Rebel Alliance.
This "distressed" Rebel Alliance T-shirt is now
among my favourites in my wardrobe of nerd gear
As I near this momentous occasion, and the re-appearance of the actors/characters from the original trilogy (episodes IV - VI), I fondly recall my experiences during the very first Star Wars craze. Months before that first film appeared in theatres, I had already bought movie magazines revealing photos and info about the upcoming space fantasy. Shortly after I saw the movie, I got myself a poster (the Hildebrand illustration... still got it!), the novelization of the movie, and even a t-shirt (white, because black was not a cool tee colour yet) showing Luke and C-3PO. Man, I got kidded so much for wearing that shirt back in elementary school in the 70's. It just wasn't cool back then. You kids today have got it easy. Sci-fi is actually cool now. Back then, you'd get the snot beaten out of you for proclaiming your love of sci-fi. I managed.
I bought up some other Star Wars books back then, like the "Sketchbook" of pre-production designs, the Star Wars Blueprints (so I could build my own landspeeder, which I never did, dammit), and the Star Wars Album, which showed off lots of behind-the-scenes pics and info. Oh, and of course, I owned the first pressing of the soundtrack on vinyl record. Really.
The still photos that I bought back in either 1977 or 1978
at the Toronto International Exhibition. How those pics
survived my rides on the rollercoaster and Tilt-a-Whirl,
I'll never know. But they still have a home here in my
Star Wars collection.
At age 16, when The Empire Strikes Back hit theatres in Canada, I saw it not once, but twice. That was the first time I ever saw a movie more than once in the theatre. I think I first saw it with friends, then again on a whim I took my kid brother to see it one Saturday afternoon. I just had to to see Empire again, so I coughed up the cash for my brother's admission The cinema was packed so we couldn't get seats together, so we had to separate, sitting near each other but one row apart. Weird, but it didn't matter at the time.
Not many years ago, I forked out for a slightly
vintage R2-D2 toy, adorable as he guards my
computer desk 24-7
Return of the Jedi came along when I was just about to graduate from high school, but at least I was hanging with a crowd who were just as nuts about Star Wars as I was at the time. Quite the cinematic experience. I don't remember much about that outing, though I do recall seeing Leia's gold slave bikini for the first time. Hey, who doesn't?
For more of my Star Wars memories, check out this post and other entries about lots of other cool stuff. All approved by the Rebel Alliance.
Saturday, December 12, 2015
Desert Island Albums in High School
During my high school years, way back when, I could easily identify my favourite bands and albums. I don't know if at the time I actually thought about the idea of "Desert Island" albums, but even today, I can take a pretty accurate stab at what my Top 10 was back in the day. I'll include favourites right up until the end of my last school year (the month of June) in 1983.
So... if I were stranded on a secluded island back then, with at least the essentials for survival (food, shelter, toothbrush) plus the means to listen to music, I would have chosen these ten Desert Island Albums:
1. Moving Pictures, by Rush
2. Allied Forces, by Triumph
3. Number of the Beast, by Iron Maiden
9. Women and Children First, by Van Halen
10. The Beatles Second Album, by The Beatles
Rush was my A-number-one band back then, and for many years to follow. Another Canuck rock trio, Triumph, ranked a fairly close second. I guess my loyalty to home-bred music showed back then. Keeping within the British monarchy (purely coincidence, though it seemed the best music came out of the UK - and Australia - at the time), we've got Maiden, Leppard, Sabbath, AC/DC, The Police, and The Beatles. Oh, and yet another Canadian act, Max Webster, was in the mix. Van Halen was the only American band to find a spot in my Top Ten. Back in the day, my denim jacket sported buttons and pins of some of those favourite artists, most notably Rush, AC/DC, The Police, and Van Halen. I listened to those Top Ten bands endlessly at the time, and tried to get my friends to try them out, too, but with only some success. My crew back then wasn't into the really heavy stuff like Maiden and Sabbath the way I was. Dummies.
It was a tough feat to pare my first draft down to just ten, but the following runners-up would have hiked the number up to an even twenty (in no particular order):
Dream Police, by Cheap Trick
Rumours, by Fleetwood Mac
Sgt. Pepper's Lonely Hearts Club Band, by The Beatles
IV, by Led Zeppelin
A Night at the Opera, by Queen
Crime of the Century, by Supertramp
Blackout, by Scorpions
Destroyer, by Kiss
Highway to Hell, by AC/DC
2112, by Rush
As you can see, my choices nearly all fall into the hard rock/heavy metal category, with just a tiny smattering of lighter stuff. In my Top Ten, only The Police and The Beatles were the odd ones out. But their timeless songs, full of vitality, honesty, and feeling, allow them spots in my Desert Island cassette tape case (because that would have been my format of choice back then). And looking at my next ten, I see that only Fleetwood Mac, Supertramp, and The Beatles (again) stick out from the heavy rock crowd.
Yes, I was almost 100% headbanger during my teens. But I kept a fairly open mind so that I could still appreciate the pop genius of The Beatles, the exquisite vocals and musicianship of Fleetwood Mac, and the progressive talents of The Police and Supertramp. In fact, if one more album were to squeak into my runners-up list, it would be the More Of The Monkees album. Those lovable clowns were a huge part of my growing up years and I enjoy their music to this day.
To take a long view on my Top Ten Desert Island Albums of my high school years, I'd say only one or two of those recordings could make my.... hm, maybe not Top Ten, but perhaps Top Twenty in 2015. The one definite is Heaven and Hell, the metal masterpiece starring the diminutive powerhouse, Ronnie James Dio, on vocals. For this fan, Sabbath was never better than on that disc. As for The Beatles, I would now choose Rubber Soul instead of that Second Album. Back in Black, as great as it is, might only crack my top Top Fifty today. It would certainly rank a lot higher in a metal-only list. Hey, I'm not that stupid.
Tastes and priorities change, and if I am honest with myself, I'd say I don't feel very strongly about many of those Top Ten, or even Top Twenty, albums any more. Sure, I still like most of them, but few would even make my Top Twenty today, even those runners-up from '83.
Rumours, Crime of the Century, and Highway to Hell are the runners-up that I still love, but maybe only one of them would crack my Top Twenty... with a little luck, my Top Ten... in 2015. That album is Rumours: timeless folk-pop-rock at its best. It's that good, plus it stirs such a warm, nostalgic feeling in me. And that counts for a lot, especially on lonely nights under the coconut tree.
Now... I'd better get back to watching Gilligan's Island for survival tips. Hmm, a monkey-powered CD player?
So... if I were stranded on a secluded island back then, with at least the essentials for survival (food, shelter, toothbrush) plus the means to listen to music, I would have chosen these ten Desert Island Albums:
1. Moving Pictures, by Rush
2. Allied Forces, by Triumph
3. Number of the Beast, by Iron Maiden
4. Pyromania, by Def Leppard
5. A Million Vacations, by Max Webster
6. Heaven and Hell, by Black Sabbath
7. Back in Black, by AC/DC
8. Synchronicity, by The Police9. Women and Children First, by Van Halen
10. The Beatles Second Album, by The Beatles
Goodies from my very first concert - Triumph --
back in 1981
Rush was my A-number-one band back then, and for many years to follow. Another Canuck rock trio, Triumph, ranked a fairly close second. I guess my loyalty to home-bred music showed back then. Keeping within the British monarchy (purely coincidence, though it seemed the best music came out of the UK - and Australia - at the time), we've got Maiden, Leppard, Sabbath, AC/DC, The Police, and The Beatles. Oh, and yet another Canadian act, Max Webster, was in the mix. Van Halen was the only American band to find a spot in my Top Ten. Back in the day, my denim jacket sported buttons and pins of some of those favourite artists, most notably Rush, AC/DC, The Police, and Van Halen. I listened to those Top Ten bands endlessly at the time, and tried to get my friends to try them out, too, but with only some success. My crew back then wasn't into the really heavy stuff like Maiden and Sabbath the way I was. Dummies.
It was a tough feat to pare my first draft down to just ten, but the following runners-up would have hiked the number up to an even twenty (in no particular order):
Dream Police, by Cheap Trick
Rumours, by Fleetwood Mac
Sgt. Pepper's Lonely Hearts Club Band, by The Beatles
IV, by Led Zeppelin
A Night at the Opera, by Queen
Crime of the Century, by Supertramp
Blackout, by Scorpions
Destroyer, by Kiss
Highway to Hell, by AC/DC
2112, by Rush
It took a while, but in 2007, I finally caught Ronnie
James Dio singing with the Sabbath line-up. Sheer heaven!
As you can see, my choices nearly all fall into the hard rock/heavy metal category, with just a tiny smattering of lighter stuff. In my Top Ten, only The Police and The Beatles were the odd ones out. But their timeless songs, full of vitality, honesty, and feeling, allow them spots in my Desert Island cassette tape case (because that would have been my format of choice back then). And looking at my next ten, I see that only Fleetwood Mac, Supertramp, and The Beatles (again) stick out from the heavy rock crowd.
Yes, I was almost 100% headbanger during my teens. But I kept a fairly open mind so that I could still appreciate the pop genius of The Beatles, the exquisite vocals and musicianship of Fleetwood Mac, and the progressive talents of The Police and Supertramp. In fact, if one more album were to squeak into my runners-up list, it would be the More Of The Monkees album. Those lovable clowns were a huge part of my growing up years and I enjoy their music to this day.
This ancient Crime of the Century 8-track
tape by Supertramp is still holding up in my
private time capsule
Tastes and priorities change, and if I am honest with myself, I'd say I don't feel very strongly about many of those Top Ten, or even Top Twenty, albums any more. Sure, I still like most of them, but few would even make my Top Twenty today, even those runners-up from '83.
Rumours, Crime of the Century, and Highway to Hell are the runners-up that I still love, but maybe only one of them would crack my Top Twenty... with a little luck, my Top Ten... in 2015. That album is Rumours: timeless folk-pop-rock at its best. It's that good, plus it stirs such a warm, nostalgic feeling in me. And that counts for a lot, especially on lonely nights under the coconut tree.
Now... I'd better get back to watching Gilligan's Island for survival tips. Hmm, a monkey-powered CD player?
Friday, December 4, 2015
This Arcade's On Fire
I recently hauled my old Nintendo NES game system out of storage. At first I looked at it doubtfully. Will this even work with my flatscreen TV? After a surprisingly easy hook-up (hey, it's been a long time and I forgot how simple this set-up was), I was astounded to see that the hardware and the games still worked. Then again, being the fastidious cat that I am, I had packed away the console and accessories in plastic bags in boxes. And the games were all in their protective cases, also tucked away in a dry, cool space. A long shelf life.
The extra thrill was in playing Galaga on a big widescreen monitor. And I couldn't believe my muscle memory... I was acing the game right from the get-go. I hadn't even touched my NES in years, probably not since the mid-to-late 90's. As I skilfully maneuvered my starfighter and hammered away at the laser fire button, picking off alien craft as they flew into formation, I was reminded of how this game was so addictive. I wailed away at Galaga for nearly a half-hour, then I realized I was sweating buckets and getting some aches and pains from the weird contortions that I assumed while responding to alien attack. It's tough being a defender of the human race!
Joust - knights doing battle while riding ostriches and buzzards.
Sounds plausible, right? Now go grab those eggs!
Then I packed everything back up again and decided to sell it all. I simply didn't want or need this "hobby", or more accurately - time-waster, in my life again. I now have far better things to do with my time, like movies, reading, writing, building scale models... and those are just the sedentary activities I like. I sold the whole kit and kaboodle in no time at all. Hey, it's a few bucks I didn't have before, just in time for Christmas shopping.
After messing about with a couple of those old games, I got to thinking about my formative years in videogaming. Back in the late 70's, I hung around with a few friends who liked to play pinball at the pool hall downtown. I tried pinball but never enjoyed it much, whether I was good at it or not. Probably not so good. But in 1978, there was an invasion: bit by bit, waves of videogames began to flood the amusement arcades. Space Invaders was the first, and though I was decent at the game, I found it a bit dull. The following year brought us Galaxian, which became one of my favourites. Its variant, Galaga, was so similar that I could play either game with a high level of mastery. What a feeling to earn a "double-barreled" starfighter!
Then along came Pac-Man, which would quickly become a huge part of popular culture. I never cared much about that game, but did spend hours and mucho deniro on other new games as they hit the arcades. I experienced these games in their infancy, watching as they populated the world and became a phenomena. I was of that first generation to witness this revolution of sorts, raised on videogames.
The emphasis on simple and fun gameplay is the reason why there is a continued demand for these early games. Though the graphics and motion were basic (even downright primitive compared to today's high realism), the enjoyment level was high. Contrast that with the difficult and complex games today that can be very discouraging. Sure, there's an audience for the modern technology, but then there's that other demographic (and yes, there's cross-over; some Halo players may also love Pac-Man) that craves, no - lives and breathes, vintage video games. They might even go as far back as that old home game, Pong. Played on the first Atari system, Pong hit store shelves way back in '72. My best friend Robbie got that for Christmas and he invited me over to his house to play Pong on his TV. I didn't get it. Pong did not capture my imagination. Boring. I'd rather play real ping pong. So I did.
Just like shooting womp rats, eh kid?
The 1980's were the Golden Age of Video Games. The innovation in developing more and more advanced, imaginative, and profitable games was incredible. There were games based on popular movies, the earliest being Star Wars and Tron. They were both challenging, but pretty fun. Even though I was a big Star Wars fan, I found the level of difficulty off-putting, so I didn't spend much time in the X-wing cockpit. The Force just wasn't with me. Same with Tron.
In my little hometown billiards and amusement hall, the pinball machines were receding to a far corner while the bright screen colours and electronic din of videogames dominated the family-friendly front end of the establishment. I spent hours and hours in Top Hat Entertainment... that was the name of the joint.
I loved a variety of games, though I leaned toward the sci-fi/fantasy-themed ones. My favourites were Joust, Galaga/Galaxian, Frenzy/Berzerk, Defender, and Xevious. It was on these games that I achieved a very high level of proficiency. First off, I pumped a lot of money into the machines, floundering around, but making some progress. Then I figured out that I should just watch the really good players to get tips and strategy ideas. I began to learn the patterns and quirks of my favourite games. That never took away from the fun of it, though. I could eventually play all day long on one quarter if I pulled a stool over to Frenzy and made myself comfortable (with a friend to bring me a Coke once in a while). Time well spent! I would often, after hours of play and realizing it was time to head home for dinner, give my game over to some poor kid in need of a fix.
I became so good on those particular games that I ruled the roost on the high scores listing, often for weeks or months. And if anybody dared rob me of top spot, I'd just as quickly topple them and once again assume the throne. It was tough, but I managed to achieve high score on Joust, the ostrich vs. buzzard battle game. More easily, I could fly through the progressively difficult levels in Frenzy and Galaga. Berzerk was the forerunner to Frenzy, and though both featured extremely simple graphics, the action could get pretty intense with killer robots appearing out of walls as your stick figure character dashes through mazes, avoiding their weapon fire. I also became pretty good at Defender and Xevious, though they were harder to master.
It may not look like much, but Gravitar
demanded concentration and nimble fingers
Asteroids, Robotron, Centipede, and Gravitar were cool games, too, though I never advanced very far in them. Asteroids and Gravitar were simple vector graphics games, but were in a league of their own. Asteroids was crazily intense... your little spaceship must survive in an asteroid field by evading and blasting flying rocks of all sizes. And to make matters worse, every time you shot at an asteroid, it would break into many smaller pieces, which would disperse in all directions. All the while, the speed of the rock storm increased. Yes, I can almost feel the sweat beading on my forehead as I think about it.
Gravitar was an even more sophisticated game, demanding high concentration and dexterity. You'd explore a solar system, visiting each planet, even entering passageways into the core of the world, all the while maneuvering your little space craft around obstacles and weapons fire. As you near each planet and enter it, the picture zooms in for a more detailed view. The idea is to keep your ship moving safely against the constant pull of the planet's gravity, avoid enemy fire, and blast bunkers to ultimately cause the planet's destruction.
Robotron, in contrast with Gravitar's slow, quiet tone, is a freaking bloodbath of circuitry gone mad. Your character starts each level in the centre of the screen. Then all hell breaks loose. Dozens of killer droids come out of the walls from all directions, converging on you, all the time blasting and trying to collide with you. The sheer sound volume of this game is enough to put your senses on high alert... the adrenaline runs high, and the body is in a totally reactive state, driving you to shoot everything that moves. The speed of movement and bright colours, along with the loud sound effects, leave you agitated and unable to sleep after a few games. Believe me, I know. Oh, and if you suffer from seizures, best avoid this one.
Whenever I visited the teeming metropolis of Toronto back in the early 80's, I was stunned and totally jazzed to see, and enter, the many video-dedicated arcades. But by the time I actually moved to the big city, my interest in spending time and money on such things had waned. Ah, well, I had my day in the sun. Well, in the darkened arcade, actually.
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